Independent Curators International supports the work of curators to help create stronger art communities through experimentation, collaboration, and international engagement.

Independent Curators International supports the work of curators to help create stronger art communities through experimentation, collaboration, and international engagement.

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Conference: Curating Today

Reimagining the Civic

Oct 29 – 30, 2026

New York, NY, USA
The Jerome L. Greene Space at New York Public Radio

44 Charlton Street (@ Varick Street)

SoHo, New York, NY 10014

At Capacity, join the waitlist for sessions

This program is at capacity, join the waitlist for sessions

In a two-day public conference, “Curating Today: Reimagining the Civic” brings a global and intergenerational group of arts practitioners together to present an expansive range of curatorial models and, through panels and discussions, offer new possibilities for what curating can do and be.

Curators have historically been understood primarily as exhibition-makers and caretakers of collections within institutional settings. Over the past two decades, however, a parallel definition has gained prominence: the curator as a civic leader, who engages with social and cultural issues through the art of our time. The themes of “Curating Today” reflect on major transformations in society, and the role that art and culture play in it: growing social fragmentation, political polarization, and economic precarity; a shift in audience expectations from spectatorship to participation; and declining trust in public institutions and increasing attacks on independent thought.

Around the world, curators have responded to these transformations with new forms of practice, ones that broaden cultural narratives to inspire collective action and foster a sense of belonging, dialogue, learning, and civic engagement. Many of the field's most innovative responses have emerged from curators who are working beyond the traditional boundaries of institutional practice: they are developing new curatorial models, building cultural infrastructures and forms of public engagement, often due to a lack of state or institutional support.

Yet these developments in curatorial practice have not been embraced evenly across the cultural ecosystem. Among art and academic institutions in particular, the lack of consensus in defining curating—what curators do, whom they serve, and how they create public value—has fueled recent debates about the future of independent curating, the growing administrative demands placed on cultural workers, and the role of cultural institutions in public life. By opening a dialogue to directly consider these issues with speakers spanning several generations and representing curatorial practices from around the world, this conference seeks to define curating in civic terms, first. In turn, by reimagining the civic through curatorial practice, we can gain insight into how curators are uniquely positioned to help communities navigate the conditions of our time through contemporary art.

Register for sessions

Schedule

DAY 1: PRACTICE

Thursday, October 29, 10 am–8 pm
What does “curating as civic action” actually look like? How do curators enact civic action in concrete, situated ways? 

  • 10 am–1 pm: Presentations—Six practices of curating as civic action
    Speakers: Riksa Afiaty, Michele Horrigan, Drew Kahuʻāina Broderick and Josh Tengan, Faheem Majeed, Azikiwe Mohammed, and Risa Puleo, with introductions by Danielle Wu and Sienna Fekete
  • 2:30 pm–5 pm: Panel Discussions—Engagement and Transformation
    Speakers: Riksa Afiaty, Michele Horrigan, Drew Kahuʻāina Broderick and Josh Tengan, Faheem Majeed, Azikiwe Mohammed, and Risa Puleo, moderated by Danielle Wu and Sienna Fekete
  • 6:30 pm–8 pm: Screening and Conversation—Tuan Andrew Nguyen
    Screening of Tuan Andrew Nguyen’s The Specter of Ancestors Becoming, followed by a conversation between the artist and Marie Hélène Pereira

 

DAY 2: INFRASTRUCTURE

Friday, October 30, 10 am–7:30 pm
How do we build the conditions that make civic action possible? What kinds of structures, networks, narratives, and forms of international solidarity are needed to sustain those curatorial practices?

  • 10 am–11:30 am: Breakfast and Exhibition tour of Teddy Sandoval and the Butch Gardens School of Art at El Museo del Barrio 
    This section takes place at El Museo del Barrio (1230 5th Avenue, East Harlem)
  • 2 pm–4:30 pm: Panel Discussions—The Question of Scale 
    Speakers: Brandon Alvendia, Keyna Eleison, Gridthiya Gaweewong, Miguel López, and Marie Hélène Pereira, moderated by Dylan Kim and Renaud Proch
  • 5 pm–7:30 pm: Conversation with Mary Jane Jacob
    Speakers: Mary Jane Jacob in conversation with Renaud Proch, followed by a closing reception
Presenters
Mary Jane Jacob

Mary Jane Jacob is a curator and writer who has pioneered public, site-specific, and socially engaged art in the US.

Tuan Andrew Nguyen

Tuan Andrew Nguyen is an artist who lives and works between Ho Chi Minh City and Los Angeles.

Riksa Afiaty

Riksa Afiaty is an art worker living and working in Yogyakarta.

Drew Kahuʻāina Broderick

Drew Kahuʻāina Broderick is a community artist, independent curator, and educator.

Josh Tengan

Josh Tengan is a Honolulu-based curator, writer, and artworker from Pauoa, Kona, Oʻahu.

Michele Horrigan

Michele Horrigan is an Irish curator and artist.

Azikiwe Mohammed

Azikiwe Mohammed is a crafter who builds physical spaces that include Blackness and the stories of the people of this land.

Faheem Majeed

Faheem Majeed is an artist, educator, curator, and arts administrator based in Chicago.

Risa Puleo

Risa Puleo is an independent curator and the Artistic Director and Chief Curator of the 2028 Boston Public Art Triennial.

Brandon Alvendia

Brandon Alvendia, an artist, curator, and educator, actively promotes artist-run initiatives across North America, fostering community-driven exhibitions, events, and publications.

Keyna Eleison

Keyna Eleison is a curator, writer, researcher, Griot heiress and shaman, narrator, singer, ancestral chronicler.

Gridthiya Gaweewong

Gridthiya Gaweewong is the Artistic Director of the Jim Thompson Art Center in Bangkok.

Miguel A. López

Miguel A. López is a writer and curator, and the Chief Curator of Museo Universitario del Chopo in Mexico City. 

Marie Hélène Pereira

Marie Hélène Pereira is Senior Curator at Haus der Kulturen der Welt, Berlin, Germany, and Artistic Director at RAW Material Company, Dakar, Senegal.

Danielle Wu

Danielle Wu is a writer and curator based in Brooklyn, New York and the Communications and Exhibitions Director at Asian American Arts Alliance (A4).

Sienna Fekete

Sienna Fekete is a curator, educator, and public programmer based in New York City with a background in radio, podcasting, and music.

Curating Today: Reimagining the Civic is conceived by Renaud Proch and Dylan Seh-Jin Kim, with the contributions of Claire Bishop, Professor, Ph.D Program in Art History, CUNY Graduate Center, and the alumni of ICI's Curatorial Seminar in New York. Leadership support for Curating Today: Reimagining the Civic is provided by Teiger Foundation and the Terra Foundation for American Art. Additional support provided by Norr Cohan, New York. ICI's New York public programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature and by the New York City Department of Cultural Affairs in Partnership with the City Council, the William Talbott Hillman Foundation, and the ICI Board of Trustees.