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exhibitions

Seeing Sound

Featuring the work of Seth Cluett, Juan Cortés, Iain Forsyth and Jane Pollard, Bani Haykal, Yuko Mohri, Marina Rosenfeld, Aura Satz, and Samson Young, the exhibition foregrounds artistic practices that deconstruct, rebuild, manipulate, and visualize audio experience through digital and analog means.

Curated by Barbara London

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do it

do it is the longest-running and most far-reaching exhibition to ever happen, giving new meaning to the concept of the "Exhibition in Progress." do it takes written instructions by artists as a point of departure, which can be interpreted anew each time they are enacted.

Curated by Hans Ulrich Obrist

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Soundings: An Exhibition in Five Parts

How can a score be a call and tool for decolonization? Curated by Candice Hopkins (Tlingit) and Dylan Robinson (Stó:lō), Soundings: An Exhibition in Five Parts features newly commissioned scores and sounds for decolonization by Indigenous artists who attempt to answer this question.

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events

An Evening With Barbara London

Join Seeing Sound curator Barbara London in celebrating the release of her book Video/Art: The First Fifty Years on Monday, January 20 at MoMA, New York.

January 20, 2020 @ MoMA

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The Conditions of the Archive: FESTAC 77

Curator and scholar, Oluremi Onabanjo will engage in conversation with renowned artist, Marilyn Nance about her photographic archive of FESTAC 77, the Second World Black and African Festival of Arts and Culture held in Lagos in 1977.

January 27, 2020 @ ICI

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curatorial intensive

research

Report: Curatorial Intensive in New Orleans 2019

Nic Brierre Aziz reflects on his experience as a participant in the 2019 Curatorial Intensive in New Orleans.

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Report: Curatorial Intensive in New Orleans 2018

Curatorial Intensive alumna Lucy Mensah reflects on the site-specificity of New Orleans as a place and as context for the program.

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