Notes for Tomorrow
Notes for Tomorrow is a new exhibition conceived by ICI, featuring artworks selected by alumni of the Curatorial Intensive from around the world to reflect on a new global reality ushered in by the COVID-19 pandemic.
Notes for Tomorrow is a new exhibition conceived by ICI, featuring artworks selected by alumni of the Curatorial Intensive from around the world to reflect on a new global reality ushered in by the COVID-19 pandemic.
The Backroom is a digital space where to discover and navigate art beyond the artistic object or artifact, from a perspective that art is a continuous and relational exercise.
Based on the traveling exhibition curated by Mary Ceruti, Matt Freedman, and Sina Najafi in 2003, The Paper Sculpture Manual is a downloadable, printable, and shareable manual of sculptures that can be assembled by YOU!
This exhibition foregrounds artistic practices that deconstruct, rebuild, manipulate, and visualize audio experience through digital and analog means.
How can a score be a call and tool for decolonization? Curated by Candice Hopkins (Tlingit) and Dylan Robinson (Stó:lō), Soundings: An Exhibition in Five Parts features newly commissioned scores and sounds for decolonization by Indigenous artists who attempt to answer this question.
Never Spoken Again reflects on the birth of modern collections, the art institutions that sustain them and their contingent origin stories. Curated by Colombian curator David Ayala-Alfonso, an alumnus of ICI’s Curatorial Intensive, the exhibition is part of ICI’s new series of programs supporting emergent voices in the curatorial field.
Axis Mundo: Queer Networks in Chicano L.A. is a traveling exhibition that explores the work of over fifty queer and Chicanx artists working in Los Angeles between the late 1960s and early 90s.
Publishing Against the Grain highlights the current state of publishing and art criticism as it exists in small journals, experimental publications, websites, and radio, as well as other innovative platforms around the world.
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