Claire Bishop is a Professor of Art History at the CUNY Graduate Center. Bishop is an internationally acknowledged scholar of contemporary art. Her dissertation was published as Installation Art: A Critical History and quickly became an indispensable resource for anyone interested in the subject. Her edited volume, Participation (MIT Press, 2006), is also highly regarded in the field. She is the author of two influential essays—“Antagonism and Relational Aesthetics” (October, 2004) and “The Social Turn: Collaboration and its Discontents” (Artforum, 2006). Both have been translated and reprinted a number of times. Bishop curated the exhibition Double Agent (2008) at the London ICA, and is working on a book about socially-engaged art and spectatorship. She holds a Ph.D. from the University of Essex.
Claire Bishop
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