Curatorial Intensive New Orleans 2017
Mar 24 – 30, 2017
New Orleans, LA, USA
CAC New Orleans, Prospect New Orleans, Joan Mitchell Center
New Orleans, Louisiana
Highlights
Proposals
Participants
Andrea Ancira
Andrea Ancira is an editor, writer, curator and independent researcher.
Kai Barrow
Kai Lumumba Barrow is the founder of Gallery of the Streets in New Orleans.
Naz Cuguoğlu
Naz Cuguoğlu is a curator and art writer, based in San Francisco and Istanbul.
Dorothée Dupuis
Dorothée Dupuis (born 1980, Paris) is a contemporary art curator, art critic and publisher.
Alexandria Eregbu
Alexandria Eregbu is a creative anthropologist.
Aaron Levi Garvey
Aaron Levy Garvey is a Jewish-American curator and historian whose work in contemporary arts and culture revolves around notions of creating community and broadening its definition.
Queta Beasley Harris
Queta Beasley Harris, a native of New Orleans, is an applied urban anthropologist, ethnographer, urban design and sustainability curator, visual artist, and movement instructor.
José López Serra
José López Serra is a cultural agent based in San Juan, Puerto Rico.
Ladi'Sasha Jones
Ladi'Sasha Jones is a writer and curator based in Harlem, NY.
Ximena Moreno
Ximena Moreno is a researcher based in Santiago, Chile.
Ekrem Serdar
Ekrem Serdar is the curator at Squeaky Wheel Film & Media Art Center, where he is responsible for the organization’s exhibitions, public programming, and artist residencies.
Vere van Gool
Vere van Gool is a curator and writer based in New York.
Jess Wilcox
Jess Wilcox is the Director of Exhibitions at Socrates Sculpture Park in Astoria Queens.
Facilitators
Renaud Proch
Renaud Proch is Independent Curators International (ICI)’s Executive & Artistic Director.
María del Carmen Carrión
María del Carmen Carrión is an independent curator and art critic from Quito, who received an MA from the Curatorial Practice Program at California College of the Arts, in San Francisco, and taught at Universidad Católica in Quito.
Remco de Blaaij
Remco de Blaaij is the Director of Artspace, in Auckland.
Andrea Andersson
Andrea Andersson is Chief Curator of the Visual Arts at the Contemporary Arts Center, New Orleans.
Gia Hamilton
Gia M. Hamilton, cultural practitioner and entrepreneur, has worked at the heart of art, healing, food security and education to help build sustainable communities for the past 20 years.
Trevor Schoonmaker
Trevor Schoonmaker is Artistic Director of Prospect.4 New Orleans and Chief Curator and Patsy R. and Raymond D. Curator of Contemporary Art at the Nasher Museum of Art at Duke University in Durham, NC.
Ren Ellis Neyra, Ph.D.
Ren Ellis Neyra, Ph.D. is an Associate Professor at Wesleyan University.
Rashida Bumbray
Rashida Bumbray is an independent curator and choreographer living and working in New York.
Shana M. griffin
Shana M. griffin is feminist, independent researcher, activist, artist, and applied sociologist.
About CAC New Orleans
The CAC is a multi–disciplinary arts center dedicated to the presentation, production, and promotion of the art of our time. Formed in 1976 by a passionate group of visual and performing artists when the movement to tear down the walls between visual and performing arts was active nationwide, the CAC expresses its mission by organizing world class curated exhibitions, performances, and public programs that educate and enlarge audiences for the arts.
About the Joan Mitchell Center
Based in the culturally diverse and historic city of New Orleans, the Joan Mitchell Center’s mission is to support local, national, and international contemporary visual artists. Through providing a forum for artists, and acting as welcoming, inclusive gathering place, the Center aspires to be a place for creation, innovation and transformation, while supporting values of community, diversity and social equity.
About Prospect New Orleans
Prospect New Orleans is a citywide triennial of contemporary art. Emphasizing collaborative partnerships, Prospect presents the work of diverse local, national, and international artists in unique and culturally exceptional venues, creating an optimistic cartography through the education and engagement of residents and visitors.
Credits
The Curatorial Intensive was made possible in part by grants from the Andy Warhol Foundation for the Visual Arts, the Ford Foundation, the Hartfield Foundation, and by generous contributions from the ICI Board of Trustees, the ICI Gerrit Lansing Education Fund, and the supporters of ICI’s Access Fund.
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