Andrea Ancira (Mexico City, 1984) editor and curator. Her research is situated at the crossroads of archival practice, editing and translation as devices to probe memory, identity and the power structures that underpin historical narratives. Curator of the exhibitions Estallar las Apariencias at Centro de la Imagen, CDMX (2018), Réplicas: Apuntes sobre una historia material at Ex Teresa Arte Actual, CDMX (2018), Éclater les Apparances at Villa Vassilieff, Paris (2019), Escucharnos Decir at Atrio de San Francisco, CDMX (2020), Disorienting Plans at Aronson Gallery, New York (2022) and Take-Away Archives at Interference Archive, New York (2023), Tierra Condenada at Centro Cultural de España, CDMX (2024). As a writer and researcher, she has collaborated with institutions such as Museo Universitario del Chopo, Museo Universitario de Arte Contemporáneo, Casco Art Institute, SOMA, The New School, La Escuela, Beta-Local, Pagoda Imaginaria, Soho Studios Ottakring, South as a State of Mind, CAC Brétigny, Kunstlicht, Bildpunkt, Malmö, and K-Verlag. Co-founder and editor in chief of tumbalacasa ediciones. She is currently a PhD candidate at the Academy of Fine Arts in Vienna.
More info: a-a-g.me
IG @tumbalacasaediciones
Andrea Ancira
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Exhibition
West Hartford, CT, USA
Cape Town, South Africa
Philadelphia, PA, USA
Skopje, Macedonia
Los Angeles, CA, USA
Quito, Ecuador
Dublin, Ireland
Gothenburg, Sweden
Tirana, Albania
Tirana, Albania
Lagos, Nigeria
Lagos, Nigeria
Ho Chi Minh City, Vietnam
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Greenfield, MA, USA
New Orleans, LA, USA
Mobile, AL, USA
Conway, SC, USA
Taipei, Taiwan
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Indianapolis, IN, USA
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New York, NY, USA
Portland, ME, USA
Fitzroy, Australia
Wooster, OH, USA
London, England, UK
East Jerusalem
Berlin, Germany
Biel, Switzerland
Ulaanbaatar, Mongolia
Raleigh, NC, USA
Greencastle, IN, USA
Calgary, Canada
Dakar, Senegal
Moscow, Russia
