INDEPENDENT CURATORS INTERNATIONAL
events

TCC: Terry Smith in Conversation with Mami Kataoka


Terry Smith in Conversation with Mami Kataoka
Saturday, August 3, 2013
2–4pm

Mori Art Museum
Roppongi Hills Mori Tower (53F)
6-10-1 Roppongi, Minato-Ku, Tokyo, Japan
FREE & open to the public

This is the sixth in a series of conversations with Terry Smith and prominent curators, during which they will discuss his recent publication, Thinking Contemporary Curating and other relevant topics in curating today. Smith speaks with Mami Kataoka, Chief Curator of the Mori Art Museum, Tokyo.

Thinking Contemporary Curating is the first book to offer an in-depth analysis of the volatile territory of international curatorial practice and the thinking—or insight—that underpins it. In five essays, renowned art historian and critic Terry Smith describes how today curators take on roles far beyond exhibition making, to include reimagining museums; writing the history of curating; creating discursive platforms and undertaking social or political activism, as well as rethinking spectatorship.

Thinking Contemporary Curating is the first in a new series titled Perspectives in Curating developed by ICI to provide sustained analysis on topics that are pressing for curators now.

August 3, 2013

Mori Art Museum
Roppongi Hills Mori Tower (53F)
6-10-1 Roppongi, Minato-Ku, Tokyo, Japan

presenter

Terry Smith

Terry Smith, FAHA, CIHA, is Andrew W. Mellon Professor of Contemporary Art History and Theory in the Department of the History of Art and Architecture at the University of Pittsburgh. In 2010 he was named the Australia Council Visual Arts Laureate, and won the Mather Award for art criticism conferred by the College Art Association (USA). During 2001-2002 he was a Getty Scholar at the Getty Research Institute, Los Angeles, in 2007-8 the GlaxoSmithKlein Senior Fellow at the National Humanities Research Centre, Raleigh-Durham, and in 2014 Clark Fellow at the Clark Institute, Williamstown. From 1994-2001 he was Power Professor of Contemporary Art and Director of the Power Institute, Foundation for Art and Visual Culture, University of Sydney. In the 1970s he was a member of the Art & Language group (New York) and a founder of Union Media Services (Sydney). He is the author of a number of books, notably Making the Modern: Industry, Art and Design in America (University of Chicago Press, 1993); Transformations in Australian Art (Craftsman House, Sydney, 2002); The Architecture of Aftermath (University of Chicago Press, 2006), What is Contemporary Art? (University of Chicago Press, 2009), Contemporary Art: World Currents (Laurence King and Pearson/Prentice-Hall, 2011), and Thinking Contemporary Curating (Independent Curators International, New York, 2012). He is editor of many others including Antinomies of Art and Culture: Modernity, postmodernity and contemporaneity (with Nancy Condee and Okwui Enwezor, Duke University Press, 2008). A foundation Board member of the Museum of Contemporary Art, Sydney, he is currently a Board member of the Carnegie Museum of Art, Pittsburgh. http://www.terryesmith.net/web/


Mami Kataoka

Mami Kataoka has been the Chief Curator at the Mori Art Museum (MAM) in Tokyo since 2003, where she curated Roppongi Crossing (2004), Ozawa Tsuyoshi (2004), All About Laughter: Humor in Contemporary Art (2007), Ai Weiwei: According to What? (2009), Sensing Nature: Perception of Nature in Japan (2010), and most recently, Lee Bul: From Me, Belongs to You Only. Meanwhile she is extending her curatorial practice in many international projects including 9th Gwangju Biennale (2012) in South Korea as the Joint Artistic Director, Phantoms of Asia: Contemporary Awakens the Past (2012) at Asian Art Museum in San Francisco as guest curator, and Ai Weiwei: According to What? (2012) at Hirshhorn Museum and Sculpture Garden in Washington DC, which will tour other North American venues. She was the International Curator at the Hayward Gallery in London between 2007 and 2009, and curated Laughing in the Foreign Language (2008) and co-curated Walking in My Mind (2009). She was Chief Curator at Tokyo Opera City Art Gallery from 1998 to 2002. Kataoka also frequently writes and gives lectures on contemporary art in Asia.


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