The New York Times Feminist Reading Group, Session II

The New York Times Feminist Reading Group
A project by Jen Kennedy and Liz Linden
March 20, 2013

ICI Curatorial Hub
401 Broadway, Suite 1620
New York, NY 10013

Please join ICI for The New York Times Feminist Reading Group. The reading group will be dedicated to looking at the March 20, 2013 edition of The New York Times from a feminist perspective.

ICI’s Curatorial Hub will be open to the public throughout the day as a reading room for those who want to arrive early to browse complementary copies of the newspaper before the evening session.

Linden and Kennedy have been collaborating since 2008. Their projects have taken place at the Whitney Museum of American Art, the New Museum, The Brooklyn Museum’s Sackler Center for Feminist Art, and Performa ’09, as well as at other museums and galleries in New York, Los Angeles, and internationally.

The New York Times Feminist Reading Groups are always free and open to all. Please note, however, that space is limited and RSVP is required. Please RSVP to .(JavaScript must be enabled to view this email address) with READING GROUP in the subject field. For more information, please contact ICI’s Public Programs & Research Coordinator Misa Jeffereis at .(JavaScript must be enabled to view this email address).

Further information about this project may be found at

March 20, 2013


Jen Kennedy

Jen Kennedy is a Montreal-based artist and writer. Her work has been exhibited and performed throughout New York and her writing can be found in Grey Room, Image & Narrative, and C Magazine, among other international journals and magazines. She is currently completing her dissertation on the role of “girl culture” (popular culture made for and by young women) in the work of the Situationist International.

Liz Linden

Liz Linden is a Brooklyn-based artist. Her work has been exhibited in various public and private institutions in New York including Ludlow 38, Bureau, and Art in General, as well as internationally at the Lunds Konsthall (Sweden) and the Stenersenmuseet (Norway). She often uses appropriation to deal with the increasingly complicated ways consumer culture has permeated our daily lives.

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