To our generation of cultural producers, location has long ago liberated itself from geography. We map our location on a transregional lattice of shifting nodes representing intense occasions of collegiality, temporary platforms of convocation, and transcultural collaborations. As we move along the shifting nodes of this lattice, we produce outcomes along a scale of forms ranging across informal conversations, formal symposia, self-renewing caucuses, periodic publications, anthologies, traveling exhibitions, film festivals, biennials, residencies, and research projects. This global system of cultural production takes its cue from the laboratory: as in all laboratories, the emphasis is on experiment and its precipitates. However, to the extent that this system is relayed across a structure of global circulations, it also possesses a dimension of theatre: a rather large proportion of its activity is in the nature of rehearsal and restaging.
In this DISPATCH, we would like to address the dilemmas as well as the potentialities of a mode of cultural production that is based on global circulations yet is not merely circulatory; and a mode of life that is based on transnational mobility but is not without anchorage in regional predicaments.