Independent Curators International supports the work of curators to help create stronger art communities through experimentation, collaboration, and international engagement.

Independent Curators International supports the work of curators to help create stronger art communities through experimentation, collaboration, and international engagement.

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Curating Today

Reimagining the Civic

Oct 29 – 30, 2026

New York, NY, USA
The Jerome L. Greene Space at New York Public Radio

44 Charlton Street (@ Varick Street)

SoHo, New York, NY 10014

RSVP

In a two-day public conference, “Curating Today: Reimagining the Civic” brings a global and intergenerational group of arts practitioners together to present an expansive range of curatorial models and, through panels and discussions, offer new possibilities for what curating can do and be.

Curators have historically been understood primarily as exhibition-makers and caretakers of collections within institutional settings. Over the past two decades, however, a parallel definition has gained prominence: the curator as a civic leader, who engages with social and cultural issues through the art of our time. The themes of “Curating Today” reflect on major transformations in society, and the role that art and culture play in it: growing social fragmentation, political polarization, and economic precarity; a shift in audience expectations from spectatorship to participation; and declining trust in public institutions and increasing attacks on independent thought.

Around the world, curators have responded to these transformations with new forms of practice, ones that broaden cultural narratives to inspire collective action and foster a sense of belonging, dialogue, learning, and civic engagement. Many of the field's most innovative responses have emerged from curators who are working beyond the traditional boundaries of institutional practice: they are developing new curatorial models, building cultural infrastructures and forms of public engagement, often due to a lack of state or institutional support.

Yet these developments in curatorial practice have not been embraced evenly across the cultural ecosystem. Among art and academic institutions in particular, the lack of consensus in defining curating—what curators do, whom they serve, and how they create public value—has fueled recent debates about the future of independent curating, the growing administrative demands placed on cultural workers, and the role of cultural institutions in public life. By opening a dialogue to directly consider these issues with speakers spanning several generations and representing curatorial practices from around the world, this conference seeks to define curating in civic terms, first. In turn, by reimagining the civic through curatorial practice, we can gain insight into how curators are uniquely positioned to help communities navigate the conditions of our time through contemporary art.

Presenters include: 

  • Riksa Afiaty (former Head of Programs, Indonesian Visual Art Archive, Yogyakarta, Indonesia)
  • Azikiwe Mohammed (Founder, Black Painters Academy, New York City)
  • Michele Horrigan (Founder, Askeaton Contemporary Arts, Askeaton, Ireland)
  • Risa Puleo (independent curator, Chicago)
  • Drew Kahuʻāina Broderick and Josh Tengan (Co-curators, ʻAi Pōhaku, Stone Eaters, Honolulu)
  • Faheem Majeed (Co-Director, Floating Museum, Chicago)
  • Marie Hélène Pereira (RAW Material Company, Dakar, Senegal)

Leadership support for Curating Today: Reimagining the Civic is provided by Teiger Foundation and the Terra Foundation for American Art. ICI's New York public programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature and by the New York City Department of Cultural Affairs in Partnership with the City Council, the William Talbott Hillman Foundation, and the ICI Board of Trustees.