Sharmila Wood

Sharmila Wood is the Director of the curatorial initiative JINA. Since 2012 she has worked as a Senior Curator with FORM.  Previously, Sharmila has held a plurality of roles, from fostering market access with artisans in India to safeguarding intangible cultural heritage for Aboriginal communities in Australia and developing curatorial place-based strategies for public art projects. She is interested in interdisciplinary approaches to addressing concerns around heritage, environment, social, and spatial justice. Sharmila conceptualises and develops community projects through socially engaged processes, creates installations, collaborates with artists on major commissions, and makes art interventions. Sharmila has a Masters of Art History & Curatorship from the University of Sydney and in 2017 was the recipient of an Asialink residency. She has edited books and writes regularly for publications, and journals, most recently for the Journal of Public Space, and Springer. Currently, she is working on a curatorial project, Actions for the Earth, a participatory platform for ecology, healing, and kindness in response to COVID 19 and the climate emergency. Her long-term curatorial project with Aboriginal artists from the Pilbara region of Western Australia will be presented in 2021.

involved in:

Notes for Tomorrow

Notes for Tomorrow is a new exhibition conceived by ICI, featuring artworks selected by alumni of the Curatorial Intensive from around the world to reflect on a new global reality ushered in by the COVID-19 pandemic.

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2014 Spring Curatorial Intensive Symposium

Join ICI and the Spring 2014 Curatorial Intensive on Tuesday, March 25 for a daylong public symposium where the participants will present the exhibition and project proposals that they have developed through the program.

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Considering Publics and Contexts

This March, Independent Curators International (ICI) produces the Curatorial Intensive: Considering Publics and Contexts, a ten-day professional development program that offers curators the opportunity to discuss, among colleagues, the concepts, logistics, and challenges of organizing exhibitions.

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