Erin Dziedzic is director of curatorial affairs at Kemper Museum of Contemporary Art, Kansas City, Missouri. Dziedzic has curated numerous exhibitions at Kemper Museum including Adam Cvijanovic: American Montage (2015), Siah Armajani: Bridge Builder (2016), Rashid Johnson: Hail We Now Sing Joy (2017), was co-curator of Magnetic Fields: Expanding American Abstraction, 1960s to Today (2017), Angela Dufresne: Making a Scene (2018), Summer Wheat: Blood, Sweat, and Tears (2019), and Rafael Lozano-Hemmer: Pulse Topology. Dziedzic also originated Kemper Museum’s Atrium Project featuring commissioned projects by emerging and mid-career Hispanic and Latinx artists including José Lerma: La Venida Cansa Sin Ti (2016), Firelei Báez: To See Beyond Its Walls (and access the places that lie beyond) (2017), Paul Henry Ramirez: Sweet On (2018), Angel Otero: Diario (2019), Joiri Minaya: Divergences (2020) (organized by Jade Powers), and Aliza Nisenbaum: Aquí se Puede (2021). She was previously curator at the SCAD Museum of Art, Savannah, Georgia, where she curated Liza Lou: Let the Light In (2011), Damián Ortega: Belo Horizonte Project (2012), Rehearsals: The Practice and Influence of Sound and Movement (2013), Regina Silveira’s Track Series (Octopus) (2013), and Jean-Michel Othoniel’s OTHONIEL (2013).
