Andrea Ancira (Mexico City, 1984) editor and curator. Her research is situated at the crossroads of archival practice, editing and translation as devices to probe memory, identity and the power structures that underpin historical narratives. Curator of the exhibitions Estallar las Apariencias at Centro de la Imagen, CDMX (2018), Réplicas: Apuntes sobre una historia material at Ex Teresa Arte Actual, CDMX (2018), Éclater les Apparances at Villa Vassilieff, Paris (2019), Escucharnos Decir at Atrio de San Francisco, CDMX (2020), Disorienting Plans at Aronson Gallery, New York (2022) and Take-Away Archives at Interference Archive, New York (2023), Tierra Condenada at Centro Cultural de España, CDMX (2024). As a writer and researcher, she has collaborated with institutions such as Museo Universitario del Chopo, Museo Universitario de Arte Contemporáneo, Casco Art Institute, SOMA, The New School, La Escuela, Beta-Local, Pagoda Imaginaria, Soho Studios Ottakring, South as a State of Mind, CAC Brétigny, Kunstlicht, Bildpunkt, Malmö, and K-Verlag. Co-founder and editor in chief of tumbalacasa ediciones. She is currently a PhD candidate at the Academy of Fine Arts in Vienna.
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Andrea Ancira
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