Curatorial Intensive Philadelphia 2010
Oct 13, 2010 – Jan 26, 2011
Philadelphia, PA, USAPhiladelphia, Pennsylvania
Erica F. Battle is the The John Alchin and Hal Marryatt Curator of Contemporary Art at the Philadelphia Museum of Art.
John Caperton is the Jensen Bryan Curator at The Print Center.
Julie Courtney has been an independent curator since 1991.
Jeff Guido has worked in both non-profit and commercial enterprises, all focused on the ceramic arts
Kate Kraczon is Director of Exhibitions of the Brown Arts Institute (BAI) and Chief Curator of the Bell Gallery at Brown University.
Aaron Levy is the founding Executive Director and Chief Curator of the Slought Foundation, which undertakes discursive projects that engage in contemporary debates about art, architecture, and social theory.
Jesse Pires is curator of film and music programming at International House Philadelphia.
Andrew Suggs is the Executive Director of Vox Populi, and a curator and writer.
Chelsea Haines is a writer and curator based in New York.
Kate Fowle is Curatorial Senior Director at Hauser & Wirth.
Lee Weng-Choy is an art critic based in Kuala Lumpur, Malaysia.
Doryun Chong is Chief Curator at M+ Hong Kong.
Nat Muller is an independent curator and critic based between Rotterdam, The Netherlands, and the Middle East.
About Philadelphia Exhibitions Initiative (PEI)
The Philadelphia Exhibitions Initiative was established in 1997 to foster artistic development and excellence in the region’s visual arts community by supporting public visual arts exhibitions and accompanying publications of high artistic caliber and cultural significance. PEI awards grants of up to $250,000 for exhibitions implementation, and up to $25,000 for exhibitions planning, to independent curators and organizations meeting the program’s eligibility requirements. These grants are awarded annually on a competitive basis and are selected by a panel of internationally recognized visual arts professionals. Between 1997 and 2010 PEI panels awarded grants totaling $10.7 million, bringing outstanding visual arts exhibitions to the region’s audiences, as well as to the field.
PEI also provides professional development opportunities through curatorial roundtables and symposia that address important issues in the field, travel grants for curatorial research and development, and access to its growing research library of 2000 volumes. PEI commissions and publishes critical writing on curatorial practice including proceedings from the symposium Curating Now: Imaginative Practice/Public Responsibility and an anthology entitled Questions of Practice: What Makes a Great Exhibition? A new anthology exploring innovations in exhibition-making is forthcoming.