Manfred Mohr and the Technological Avant Garde

Image: Manfred Mohr, P-1682_616 (2014), pigment ink on paper, 23.6 x 31.5 in / 60 x 80 cm

Manfred Mohr and the Technological Avant Garde
Presented by Laura Blereau
Thursday, May 21, 2015
ICI Curatorial Hub

401 Broadway, Suite 1620
FREE and open to the public

Manfred Mohr is a visual artist who creates work rooted in the principles of geometry. In 1971 his career took an unexpected turn, when his work was featured in an exhibition at the Musée d’Art Moderne de la Ville de Paris. The show, Une Esthétique Programmée, was the first solo exhibition in a museum of works entirely calculated by a digital computer and drawn by a plotter machine. Ever since, his work has been inseparable from the historical development of computer art and its connection to radical arts conceptualism.

After living in Paris for twenty years, in 1983 Mohr moved to New York, where he is still active today. This presentation at the ICI Curatorial Hub will follow his trajectory as a painter and jazz musician who read Max Bense’s writings on information aesthetics in the 1960s, and developed into a revolutionary figure of the technological avant-garde. Mohr will share the ideas driving his current practices, and its relationship to his 1967 series Artificiata in conversation with Laura Blereau, who has organized multiple exhibitions featuring Mohr’s early drawings crafted in the FORTRAN programming language.

This event is free and open to the public. To attend, please RSVP to .(JavaScript must be enabled to view this email address) with MANFRED in the subject line.

May 21, 2015

ICI Curatorial Hub
401 Broadway, Suite 1620
New York, NY 10013


Manfred Mohr

Born in Germany in 1938, Manfred Mohr is a pioneer of the digital art genre and programmed his first computer drawings in 1969. Known for his groundbreaking exhibitions and computational work of the early 1970s, he was an early member of the “Art et Informatique” seminar at University of Vincennes. Recently the subject of a retrospective at the Zentrum für Kunst und Medientechnologie (ZKM), Mohr’s work has also been featured in solo exhibitions at the ARC - Musée d’Art Moderne de la ville de Paris; Art Basel, Switzerland; the Joseph Albers Museum, Bottrop; Wilhelm-Hack-Museum, Ludwigshafen; Museum for Concrete Art, Ingolstadt; Kunsthalle Bremen; Museum im Kulturspeicher, Würzburg; and the Grazyna Kulczyk Foundation, Poznan. Mohr is the recipient of a NYFA Fellowship, the Camille Graesser-Preis, Zurich; the ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art; the D.velop Digital Art Award, and a Golden Nica from Ars Electronica.

Laura Blereau

Based in New Orleans, Laura Blereau is the Curator and Coordinator of Academic Programming at the Newcomb Art Museum of Tulane University, where she works on exhibitions that highlight women artists, socially engaged art practices, and a collection that contextualizes the Newcomb Pottery movement. Her most recent major projects include “Laura Anderson Barbata: Transcommunality” (2021), “Brandan ‘Bmike’ Odums: Not Supposed 2-Be Here” (2020), the traveling group exhibition “Per(Sister): Incarcerated Women in Louisiana“ (2019), and “Fallen Fruit: Empire” (2018). Previously Blereau served as Curator of the Hilliard University Art Museum, a 12,000 square foot exhibition space at the University of Louisiana at Lafayette, where she initiated a series of single-channel video art exhibitions and curated a wide range of projects including the kinetic sculpture retrospective “Lin Emery: A Movement, 1957-2017.“

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