Independent Curators International (ICI) supports the work of curators to help create stronger art communities through experimentation, collaboration, and international engagement. Curators are arts community leaders and organizers who champion artistic practice; build essential infrastructures and institutions; and generate public engagement with art. Our collaborative programs connect curators across generations, and across social, political and cultural borders. They form an international framework for sharing knowledge and resources — promoting cultural exchange, access to art, and public awareness for the curator’s role.
Gridthiya Gaweewong
Gridthiya Gaweewong founded arts organization Project 304 in 1996, and is currently Artistic Director of the Jim Thompson Art Center, Bangkok. Her curatorial projects have addressed issues of social transformation confronting artists from Thailand and beyond since the Cold War. Gaweewong has organized exhibitions and events including Underconstruction, Tokyo (2000 - 2002), Politics of Fun at the Haus der Kulturen der Welt, Berlin (2005), the Bangkok Experimental Film Festival (1997–2007) (co-founded with Apichatpong Weerasethakul)}, Saigon Open City in Saigon, Vietnam (2006-07) (with Rirkrit Tiravanija) and Unreal Asia, Oberhausen International Short Film Festival (2010). Gaweewong is on the curatorial team for the 2018, 12th Gwangju Biennale, Imagined Borders. She is also the head curator of ICI’s traveling exhibition Apichatpong Weerasethakul: The Serenity in Madness.
involved in:
International tour of APICHATPONG WEERASETHAKUL: THE SERENITY OF MADNESS
As the international tour of Apichatpong Weerasethakul: The Serenity of Madness comes to a close, ICI wants to thank the venues that hosted this exhibition and take a moment to look at some of the best installation shots of this extraordinary exhibition.
read more »Curatorial Intensive Auckland 2019
In collaboration with Artspace Aotearoa, ICI presents the first Curatorial Intensive in Tāmaki Makaurau Auckland, Aotearoa New Zealand. This Intensive draws upon the diverse cultural environment from Auckland and the greater te Moana Nui-a-Kiwa Pacific Ocean region. This Intensive anticipates Artspace Aotearoa’s new programme ‘The Drift,’ which will examine and respond to alternative approaches to artistic education.
read more »2018 Curatorial Intensive in Bangkok: Public Symposium
The Curatorial Intensive participants of the 2018 Bangkok program will each present their project proposals that they have been developing over the course of the program.
read more »Curatorial Intensive in Bangkok
ICI presents the inaugural Curatorial Intensive in Bangkok, developed in partnership with the Faculty of Fine and Applied Arts at Chulalongkorn University to coincide with the launch of its international postgraduate program in Curatorial Practice, and with the James H.W. Thompson Foundation.
read more »Curatorial Intensive in Manila
This November, ICI produces the inaugural Curatorial Intensive in Manila, in collaboration with the Metropolitan Museum of Manila and with the support of the NCCA and the Office of Senator Loren Legarda.
read more »APICHATPONG WEERASETHAKUL at MAIIAM
ICI’s latest exhibition, Apichatpong Weerasethakul: The Serenity of Madness, debuts Monday July, 4 at MAIIAM Contemporary Art Museum in the artist’s hometown of Chiang Mai, Thailand.
read more »APICHATPONG WEERASETHAKUL: THE SERENITY OF MADNESS
This unique solo exhibition presents a survey of rarely-seen experimental short films and installations by Apichatpong Weerasethakul, alongside archival documents, photographs, drawings and sketches that explore threads of socio-political commentary in the artist’s practice from early in his career to the present.
read more »Curating Time-Based Media
Curating Time-Based Media is a ten-day professional development program that offers curators the opportunity to discuss, among colleagues, the concepts, logistics, and challenges of organizing exhibitions featuring durational art, installations, performance, dance, video, film, and sound art.
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