INDEPENDENT CURATORS INTERNATIONAL
collaborators

Greg Staats

Greg Staats is Skarù:reˀ [Tuscarora] / Kanien’kehá:ka [Mohawk], Hodinöhsö:ni’. b. 1963, Ohsweken, Six Nations of the Grand River Territory. A Toronto based artist whose Hodinöhsö:ni restorative aesthetic employs mnemonics of condolence and performative burdens articulated in visual forms that hold body and place including: oral transmission, text works, embodied wampum, photographic, sculpture, installation and video. Staats’ practice conceptualizes Land as monument embodied within a continuum of relational placemaking with his on-reserve lived experience, trauma, and the explorations of ceremonial orality. Staats’ lens based language documents cycles of return towards a complete Onkwehón:we neha [our original ways] positionality, reciprocity and worldview.

Greg Staats, active since 1981 studied Applied Photography, Sheridan College, ON is the recipient of the Duke and Duchess of York Prize in Photography. Solo exhibitions include: articule, Montreal, Kelowna Art Gallery, Urban Shaman Gallery, Winnipeg, MN, Tom Thomson Gallery, McMaster Museum of Art, KWAG, Mercer Union, Gallery TPW, G44, Trinity Square Video/Images Festival. Galerie Séquence, QC. Group exhibitions include; AGYU, Morris and Helen Belkin Art Gallery, National Gallery of Canada, Varley Art Gallery of Markham [OAAG award 2019], MOCNA, Sante Fe. Staats was Faculty for two Aboriginal VA Residencies, Banff Centre: Archive Restored (2009) and Towards Language (2010). Staats’ works are held in public, private and corporate collections. Upcoming solo exhibitions: Art Gallery of Ontario, CONTACT Photo Festival at Todmorden Mills. [2021] and Art Gallery of Hamilton, ON (2023). Staats has been shortlisted for the 2021 Robert Gardner Fellowship in Photography from the Peabody Museum of Archaeology and Ethnography at Harvard University.

involved in:

Soundings: An Exhibition in Five Parts

How can a score be a call and tool for decolonization? Curated by Candice Hopkins (Tlingit) and Dylan Robinson (Stó:lō), Soundings: An Exhibition in Five Parts features newly commissioned scores and sounds for decolonization by Indigenous artists who attempt to answer this question.

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INDEPENDENT CURATORS INTERNATIONAL
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