INDEPENDENT CURATORS INTERNATIONAL
collaborators

Alexandra Stock

Alexandra Stock is a Swiss/American curator, artist & consultant with over a decade of experience in curatorial practice and arts management in the Middle East. She is the Creative Director of ARCHiNOS, Egypt’s leading architecture, design and conservation firm that operates at the intersections of tangible & intangible cultural heritage and contemporary art & design. She previously held curatorial and/or managerial positions at the Townhouse Gallery and Beirut, both in Cairo, and Al Riwaq Art Space in Bahrain. Stock graduated from the Zurich University of the Arts with a BFA in Art Theory, completed De Appel’s Curatorial Program in Amsterdam and studied Arabic at the DEAC in Cairo. She is a participant of the yearlong Townhouse Curatorial Program and the Townhouse ISP in Cairo, the first initiatives of their kind both offered in and focused on the history & historiography of art in the greater Middle East. For three seasons, Stock represented the MENA region on the International Council advisory board of PBS’s Peabody and Emmy award-winning broadcast program ‘Art in the Twenty-First Century’ and later consulted for the Bahrain Authority for Culture & Antiquities. In addition to her work with ARCHiNOS, Stock is devoting time to graduate studies in Global Diplomacy (with a focus on Cultural Diplomacy) at SOAS and Cultural Economics at Erasmus University Rotterdam.

involved in:

Notes for Tomorrow

Notes for Tomorrow is a new exhibition conceived by ICI, featuring artworks selected by alumni of the Curatorial Intensive from around the world to reflect on a new global reality ushered in by the COVID-19 pandemic.

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2015 Fall Curatorial Intensive Symposium

Participants of the Fall Curatorial Intensive will present their exhibition and project proposals, which they have been developing for the program.

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Curatorial Intensive in New York

This September, ICI produces the Curatorial Intensive in New York, offering curators the opportunity to discuss the concepts, logistics, and challenges of organizing exhibitions, public programs, and other curatorial models.

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