Jack Radley is a writer, independent curator, and arts administrator. His writing has been published in Art Papers, Berlin Art Link, Boston Art Review, Cultured, Hyperallergic, Sixty Inches from Center, and Temporary Art Review, among others. Together with Constanza Valenzuela, he is the co-founder of ACOMPI, a New York-based curatorial project that foregrounds interdisciplinary practice and collaboration to expand the intersection of independent curatorial practice and site-responsive public engagement. Recent projects include: Mateo Arciniegas: Domingo a las 4 (PO Reinaldo Salgado Playground), Transient Grounds (Governors Island, NARS Foundation), Diana Sofia Lozano: Suspended in the Iris (Home Gallery), Shanzhai Lyric: Canal Street Research Association (327 Canal), and "What Can NYC Art Museums Do for Immigrant Communities?" (NYU). He holds a BFA in Studio Art and Art History from Washington University in St. Louis.
Jack Radley
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