A learner, Kameelah Janan Rasheed (she/they), grapples with the poetics-pleasures-politics of Black knowledge production, information technologies, [un]learning, and belief formation. They are a recipient of a 2022 Schering Stiftung Award for Artistic Research, a 2022 Creative Capital Award, and a 2021 Guggenheim Fellowship in Fine Arts. Rasheed is the author of three artist’s books: An Alphabetical Accumulation of Approximate Observations (Endless Editions, 2019), No New Theories (Printed Matter, 2019), and the digital publication Scoring the Stacks (Brooklyn Public Library, 2021). Their writing has appeared in Triple Canopy, The New Inquiry, Shift Space, Active Cultures, and The Believer. They are an adjunct instructor at the Cooper Union for the Advancement of Science and Art, a Critic at Yale School of Art, Sculpture, and a Mentor-in-Residence with NEW Inc. Rasheed is represented by NOME Gallery in Berlin, Germany.
Kameelah Janan Rasheed
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Shanghai, China
Windsor, Canada
Richmond, VA, USA
Stuttgart, Germany
St. George, Barbados
Kingston, Jamaica
Port of Spain, Trinidad and Tobago
Addis Ababa, Ethiopia
Montevideo, Uruguay
Paramaribo, Suriname
Bandung, Indonesia
Wolfville, Canada
Jaffna, Sri Lanka
Chiang Mai, Thailand
Singapore
Wooster, OH, USA
Pittsburgh, PA, USA
Greencastle, IN, USA
Bangkok, Thailand
Marquette, MI, USA
Westminster, London, UK
College Park, USA
Hong Kong
Davidson, NC, USA
West Hartford, CT, USA
Boise, ID, USA
Moscow, Russia
Caracas, Venezuela
Maribor, Slovenia
