Titled after Marcel Duchamp’s readymade of a ball of string containing a mysterious sound-making object hidden in its folds, With Hidden Noise brings together evocative sounds, some recognizable from traditional instruments and field recordings, and others masked through electronic processes.
Featuring the work of artists who freely adopt and adapt materials from myriad sources such as the Internet, magazines, advertisements, television and other works of art, Image Transfer spotlights evolving attitudes toward the appropriation of extant photographic imagery.
Raymond Pettibon: The Punk Years, 1978–86 taps into the steady stream of this California artist’s early graphic arts production, before he appeared on the contemporary art stage. This exhibition includes over 200 examples of Pettibon’s powerful designs made between 1978 and 1986, when he was immersed in the Los Angeles punk rock scene, doing the graphic design for Black Flag and other punk bands.
This innovative project proposes an alternative model to the standard contemporary art biennial, aiming to recognize the talent and unique expression that is present within many communities. At the same time, the openness of this model is intended to reflect upon the often exclusionary and insular nature of contemporary art.
Despite all that has changed since sexual and social identity became a hot-button topic in art production and discourse throughout the 1970s, ’80s, and ’90s, one American stereotype still remains particularly entrenched: that of the male athlete.
Project 35 is a program of single-channel videos selected by 35 international curators who have each chosen one work by an artist that they think is important for audiences around the world to experience today. The resulting compendium is released in four installments and is presented simultaneously in an ever-expanding number of venues.
Slightly Unbalanced features work that deals with a range of psychological tendencies, including anxiety, obsessive behavior, depression and narcissism. The artists question what constitutes normalcy, and what qualifies as neurosis, a slippery and suggestive endeavor.
Jess (1923–2004) was an influential artist who emerged in the 1950s from within the literary context of Beat culture in San Francisco. Focusing on his intimate ties to poetry, books, and printed matter, Jess: To and From the Printed Page features examples of his celebrated impastos together with many of his collages and designs, as well as the books and magazines in which they were reproduced.
Balancing environmental, social, economic, and aesthetic concerns, sustainable design has the potential to transform everyday life and is reshaping the fields of architecture and product design. Beyond Green: Toward a Sustainable Art explores the influence of this design philosophy on artists who combine a fresh aesthetic sensibility with a constructively critical approach to the production, dissemination, and display of art.