How can a score be a call and tool for decolonization? Curated by Candice Hopkins (Tlingit) and Dylan Robinson (Stó:lō), Soundings: An Exhibition in Five Parts features newly commissioned scores and sounds for decolonization by Indigenous artists who attempt to answer this question.
Never Spoken Again reflects on the birth of modern collections, the art institutions that sustain them and their contingent origin stories. Curated by Colombian curator David Ayala-Alfonso, an alumnus of ICI’s Curatorial Intensive, the exhibition is part of ICI’s new series of programs supporting emergent voices in the curatorial field.
Talking to Action investigates contemporary, community-based social art practices in the United States and throughout Latin America while attempting to build a direct dialogue with artists and researchers across the hemisphere to discuss shared concerns.
This unique solo exhibition presents a survey of rarely-seen experimental short films and installations by Apichatpong Weerasethakul, alongside archival documents, photographs, drawings and sketches that explore threads of socio-political commentary in the artist’s practice from early in his career to the present.
Over 40 years later, Documenta 5, the exhibition that was criticized in 1972 as being “bizarre…vulgar…sadistic” by art critic and essayist Hilton Kramer and “monstrous… overtly deranged” by art historian and art critic Barbara Rose, resonates today as one of the most important exhibitions in history.