INDEPENDENT CURATORS INTERNATIONAL ici says do it

do it

do it takes written instructions by artists as a point of departure. These can be interpreted anew each time they are enacted. do it has become the longest-running and most far-reaching exhibition to ever happen, giving new meaning to the concept of the “Exhibition in Progress.”

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do it: the compendium

NEW: Obrist, Hans Ulrich, do it: the compendium, Independent Curators International (ICI), New York and Distributed Art Publishers, May 2013. Foreword and acknowledgement by Kate Fowle and Frances Wu Giarratano; Introduction by Hans Ulrich Obrist; Essays by Bruce Altshuler, Hu Fang, Virginia Perez-Ratton, and Elizabeth Presa. 448 pages. ISBN: 978-1-938922-01-5. $35.00.

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Exhibition Related ER: do it: social media

do it here. do it there. do it everywhere! Follow @doit_INTL on Twitter, Instagram, and Vine for a live stream of all things do it.

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Curatorial Hub Curatorial Hub: Full Dollar-Ecuador

X. Andrade presents a conversation—or a monologue—on dubious entities and contemporary art practices.

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Curator's Perspective CP: Alexie Glass-Kantor

Alexie Glass-Kantor speaks at the Curator’s Perspective, an itinerant public discussion series that features international curators who distill current happenings in contemporary art.

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Events

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Curatorial Intensive

The Curatorial Intensive is ICI’s short-term, low-cost training program that offers curators the chance to develop their exhibition ideas and make connections to leaders in the field, providing the opportunity to forge new international networks through peer-group education. The Curatorial Intensive takes place twice annually in New York, and in other locations in conjunction with institutional partners worldwide.

Research

  • Fellowship: The 2013 CPPC Travel Award for Central America and the Caribbean


    The Colección Patricia Phelps de Cisneros (CPPC) and Independent Curators International (ICI) are pleased to announce an open call for curators: The 2013 Colección Patricia Phelps de Cisneros Travel Award for Central America and the Caribbean. In its second edition, this travel award will support a contemporary art curator based anywhere in the world to travel to Central America and the Caribbean to conduct research about art and cultural activities in the region. Intending to generate new collaborations with artists, curators, museums, and cultural centers in the area, this award will cover curatorial residencies, studio visits, and/or archival research.

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  • Fellowship: Muriel Enjalran


    Muriel Enjalran was invited to come to New York from Paris as the first ICI/French Institute Fellow. After participating in ICI’s Curatorial Intensive program in the Summer 2012, she conducted research into artists who engage with the public sphere and explore the relationship between art and politics beyond conventional practices. Enjalran takes the works and activities of Justine Triet, Ângela Ferreira, and Caetano Dias (artists residing across various continents) as a departure point for interrogating how their work attempts to redefine aesthetics, therefore redefining art and politics while engaging with the social.

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  • Fellowship: Recipient of the 2013 CPPC Travel Award for Central America and the Caribbean


    Colección Patricia Phelps de Cisneros (CPPC) and Independent Curators International (ICI) announce curator Remco de Blaaij as the recipient of the 2013 CPPC Travel Award for Central America and the Caribbean.

    Colección Patricia Phelps de Cisneros and Independent Curators International are pleased to announce that Remco de Blaaij has been selected as the second recipient of the CPPC Travel Award for Central America and the Caribbean. The award supports a contemporary art curator based anywhere in the world to travel to Central America and the Caribbean to conduct research about art and cultural activities in the region. The process will generate new collaborations with artists, curators, museums, and cultural centers in the area.

    Remco de Blaaij (b. 1979, The Netherlands), a Glasgow-based curator, will research women activist practices in the countries of Guatemala, Jamaica, Nicaragua, and Suriname. De Blaaij will visit local artists, art institutions and non-profit organizations, conduct research in the archives of Edna Manley College in Jamaica, interview art historians and curators, and give public lectures throughout the region. Travelogs, details on related events, and further information on de Blaaij’s research will be available on ICI’s website this fall 2013.

    Remco de Blaaij has been curator at CCA Glasgow since October 2012. Previously he co-curated Picasso in Palestine whilst working at the Van Abbemuseum, Eindhoven, The Netherlands (2007-12). He worked on the team of Be(com)ing Dutch, a two-year elaborate project in the museum that dealt with residues of globalization, national identity, and immigration. He moved to London in 2011 to conclude his research at the Centre for Research Architecture, Goldsmiths University with the publication too little, too late on border practices of visual culture against the backdrop of Suriname.

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