April 22-28, 2012
Organized from April 22-28, 2012, the Curatorial Intensive will employ Instituto Inhotim as a case study to explore how curatorial practices negotiate issues of commissioning and adaptation of site-specific works; interpretation and recreation of lost and unrealized projects; and concepts of the expanded museum and exhibition, such as curating through collection building; the spatial expansion of the institution; and new forms of outreach and audience development.
Colección Patricia Phelps de Cisneros and ICI announce 2012 curatorial travel award
February 1, 2012 @ Independent Curators International (ICI) Find out more »Join the International Forum and let ICI become your gateway to exclusive, behind-the-scenes events with the people who shape contemporary art.
November 17, 2011 @ Independent Curators International Find out more »ICI launches the 2012 Curator’s Perspective series with a lecture by Maria Lind at the CUNY Graduate Center.
February 15, 2012 @ CUNY Graduate Center 7:00pm-8:30pm Find out more »Performance Now: The First Decade of the New Century is an exhibition that shows how performance has come to be at the center of the discussion on the latest developments in 21st century art and culture.
Curated by RoseLee Goldberg Find out more »On February 24-25, ICI presents the People’s Conference, a two-day conversation in conjunction with the final stop of the People’s Biennial tour at Haverford College, PA.
February 24, 2012 @ Haverford College and ICA, University of Pennsylvania Find out more »Legacy Russell & Stina Puotinen invite you to an evening riot of love letters and spiked tea at the ICI Curatorial Hub.
February 10, 2012 @ Independent Curators International (ICI) The Curatorial Hub Find out more »Living as Form (The Nomadic Version) is an unprecedented, international project exploring over twenty years of cultural works that blur the forms of art and everyday life, emphasizing participation, dialogue, and community engagement.
Curated by Nato Thompson Find out more »Create is a group show that will bring well-deserved attention to the compelling work created over the past 20 years by artists with developmental disabilities, sharing it with a broad audience and expanding on its impact on renowned international artists and its significant contribution to the field of contemporary art.
Curated by Lawrence Rinder, Matthew Higgs Find out more »Living as Form (The Nomadic Version) is an unprecedented, international project exploring over twenty years of cultural works that blur the forms of art and everyday life, emphasizing participation, dialogue, and community engagement.
Performance Now: The First Decade of the New Century is an exhibition that shows how performance has come to be at the center of the discussion on the latest developments in 21st century art and culture.
Colección Patricia Phelps de Cisneros and ICI announce 2012 curatorial travel award
Legacy Russell & Stina Puotinen invite you to an evening riot of love letters and spiked tea.
The Curatorial Intensive is ICI’s short-term, low-cost training program that offers emerging curators the chance to develop their exhibition ideas and make connections to leaders in the field, providing the opportunity to forge new international networks through peer-group education. The Curatorial Intensive takes place twice annually in New York, and in other locations in conjunction with institutional partners worldwide.
Footnote is a project without a main text. While it initially appeared in an exhibition format only, the project may eventually end up as a 400 page book titled Footnote, edited by the curator and designed by a very famous artist.
Footnote commenced as a direct reaction to someone else’s curated exhibition– and as a protest and farewell to the institution, met by a very critical moment– both financial and ideological. In developing the Footnote, I claimed my voice as representing the margin, as well as the main subject of my interest in marginality. At its beginning, the very first stage of the Footnote was organized from my private budget, granted a personal grant from the governmental resources of another country. Since that time the project developed and had various iterations in different continents, surprisingly enabling me to work as ‘independent curator’, invited with my ‘footnotes’ by both public and academic institutions as well as private galleries.
Read more »As an artistic classification, the term ‘performance art’ is fairly contentious within the contemporary art world. Over the past 40 years, the artistic practice has evolved to encompass myriad forms and titles in an attempt to adequately categorize the genre. Artists, curators and scholars readily agree there are historical sub-movements within the genre, such as body art, live art, etc., but the term ‘performance art’ has been largely accepted as the definitive term and subsequently integrated within both art historical and popular discourse. Some argue the classification of ‘performative’ is misleading and antithetical to the conceptual basis of most works done in the 1960’s and 70’s. The term portends theatricality and therefore misconstrues or alters the intentions of the work because of the association with entertainment.
Read more »The third issue of ICI’s semi-annual brochure is now available, giving you the latest information on our exhibitions, events, publications, educational initiatives, studio visits, and numerous other projects that are in development at ICI this season. With CURATORSINTL.ORG on its cover, this brochure also announces our new web address and improved website, complete with more resources and information that is easier to navigate.
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