INDEPENDENT CURATORS INTERNATIONAL
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  • Comradeship Reading Group: The Museum of Contemporary Art

    On June 25 we are reading the fourth chapter “The Museum of Contemporary Art,” translated by Rawley Grau and originally presented at the international colloquium“História E(m) Movimento: MAM 60 anos” [History and(in) Movement: MAM 60 Years], Museu de Arte Moderna de São Paulo, November 2008. The conversation will be co-led by art historian and writer, Carlos Kong and researcher and writer, Lynn Maliszewski.

    June 25, 2019 @ ICI

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  • Curatorial Intensive Auckland 2019

    In collaboration with Artspace Aotearoa, ICI presents the first Curatorial Intensive in Tāmaki Makaurau Auckland, Aotearoa New Zealand. This Intensive draws upon the diverse cultural environment from Auckland and the greater te Moana Nui-a-Kiwa Pacific Ocean region. This Intensive anticipates Artspace Aotearoa’s new programme ‘The Drift,’ which will examine and respond to alternative approaches to artistic education.

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exhibitions

Never Spoken Again: Rogue Stories of Science and Collections

Never Spoken Again reflects on the birth of modern collections, the art institutions that sustain them and their contingent origin stories. Curated by Colombian curator David Ayala-Alfonso, an alumnus of ICI’s Curatorial Intensive, the exhibition is part of ICI’s new series of programs supporting emergent voices in the curatorial field.

Curated by David Ayala-Alfonso

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Soundings: An Exhibition in Five Parts

How can a score be a call and tool for decolonization? Curated by Candice Hopkins (Tlingit) and Dylan Robinson (Stó:lō), Soundings: An Exhibition in Five Parts features newly commissioned scores and sounds for decolonization by Indigenous artists who attempt to answer this question.

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do it

do it is the longest-running and most far-reaching exhibition to ever happen, giving new meaning to the concept of the "Exhibition in Progress." do it takes written instructions by artists as a point of departure, which can be interpreted anew each time they are enacted.

Curated by Hans Ulrich Obrist

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events

ICI Travels: St. Louis

This exclusive trip focuses on St Louis’s thriving arts scene and includes you in ICI’s special relationship with the Pulitzer Arts Foundation and Emily Rauh Pulitzer, ICI’s 2018 Benefit Honoree and recipient of The Leo Award.

June 21, 2019 - June 23, 2019 @ St. Louis, MO

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Comradeship Reading Group: The Museum of Contemporary Art

On June 25 we are reading the fourth chapter “The Museum of Contemporary Art,” translated by Rawley Grau and originally presented at the international colloquium“História E(m) Movimento: MAM 60 anos” [History and(in) Movement: MAM 60 Years], Museu de Arte Moderna de São Paulo, November 2008. The conversation will be co-led by art historian and writer, Carlos Kong and researcher and writer, Lynn Maliszewski.

June 25, 2019 @ ICI

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Comradeship Reading Group: Contemporaneity as Points of Connection

On July 16 we are reading the fifth chapter “Contemporaneity as Points of Connection,” translated by Rawley Grau and originally published in e-flux journal in 2009. The conversation will be co-led by artist and writer, Yin Ho and curator and writer, Ladi’Sasha Jones. This selection of texts by Badovinac, edited by J. Myers-Szupinska, gathers twenty years of writings from disparate and hard-to-find sources alongside new texts from the forward-thinking Slovenian curator, museum director, and scholar Zdenka Badovinac.

July 16, 2019 @ ICI

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curatorial intensive

Curatorial Intensive Auckland 2019

In collaboration with Artspace Aotearoa, ICI presents the first Curatorial Intensive in Tāmaki Makaurau Auckland, Aotearoa New Zealand. This Intensive draws upon the diverse cultural environment from Auckland and the greater te Moana Nui-a-Kiwa Pacific Ocean region. This Intensive anticipates Artspace Aotearoa’s new programme ‘The Drift,’ which will examine and respond to alternative approaches to artistic education.

Program dates: July 29 - August 4, 2019

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research

Report: Curatorial Intensive in New Orleans 2018

Curatorial Intensive alumna Lucy Mensah reflects on the site-specificity of New Orleans as a place and as context for the program.

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JURACAN, HURACÁN, HURRICANE: notes on guest curating the Dak’Art Biennale.

Curatorial Intensive alumna Marisol Rodríguez reflects on her exhibition silence, murmur, clamour, tumult: ZAM ZAM chapter four, opening as part of the 13th Dak’Art Biennale.

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