Morehshin Allahyari (b. Iran, 1985) is a New York-based Iranian-Kurdish artist who uses 3D simulation, video, sculpture, and digital fabrication as tools to re-figure myth and history. Through archival practices and storytelling, her work weaves together complex counternarratives in opposition to the lasting influence of Western technological colonialism in the context of SWANA (Southwest Asia and North Africa). Her work has been part of numerous exhibitions, festivals, and workshops at venues throughout the world, including the New Museum, MoMa, Centre Pompidou, Venice Biennale di Architettura, and Museum für Angewandte Kunst among many others. She is the recipient of The United States Artist Fellowship (2021), The Joan Mitchell Foundation Painters & Sculptors Grant (2019), The Sundance Institute New Frontier International Fellowship (2019), and the Leading Global Thinkers of 2016 award by Foreign Policy magazine. Her artworks are in the collection of the Whitney Museum of American Art, San Francisco Museum of Modern Art, and the Current Museum. Her work has been featured in the New York Times, BBC, Huffington Post, WIRED, National Public Radio, Parkett Art Magazine, Frieze, Rhizome, Hyperallergic, and Al Jazeera, among others.
Morehshin Allahyari
Morehshin Allahyari, 2022. (Photo: Antonia Collodro)
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Shanghai, China
Windsor, Canada
Richmond, VA, USA
Stuttgart, Germany
St. George, Barbados
Kingston, Jamaica
Port of Spain, Trinidad and Tobago
Addis Ababa, Ethiopia
Montevideo, Uruguay
Paramaribo, Suriname
Bandung, Indonesia
Wolfville, Canada
Jaffna, Sri Lanka
Chiang Mai, Thailand
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Wooster, OH, USA
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Bangkok, Thailand
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Caracas, Venezuela
Maribor, Slovenia