Max Almy crystallizes cultural clichés into biting commentary in works employing experimental narrative and a strong sense of theater to explore the uneasy relationship between humans and technology. Using sophisticated production techniques, often with an ironic twist, her work questions the values of contemporary society—especially regarding hyper consumerism, political spectacle, media manipulation, feminist and environmental issues and the profound effects of technology, television and media saturation on human experience and culture. Her pioneering role in blending satire with emerging new media technologies has profoundly shaped contemporary media art, particularly through her innovative use of video and computer animation to critique aspects of modern culture. Seminal works such as Leaving the Twentieth Century (1982) Perfect Leader (1983) and Utopia (1994) employed digital effects and stylized narratives, laying groundwork for later artists who explore hyper-mediated realities in narrative video formats. Since the 90s, Almy has worked with painter and media artist, Teri Yarbrow. Their award winning and internationally exhibited works with video, digital media, interactive installations, VR, AR and AI continue to explore the intersection of cutting-edge technology and human experience.
For more information about Almy, visit her website.
