Independent Curators International supports the work of curators to help create stronger art communities through experimentation, collaboration, and international engagement.

Independent Curators International supports the work of curators to help create stronger art communities through experimentation, collaboration, and international engagement.

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Paige Rozanski

Paige Rozanski is the Associate Curator of Modern and Contemporary Art at the Toledo Museum of Art (TMA). She is an interdisciplinary scholar with a focus on modern and contemporary art and cultural history from 1945 to the present. Since joining the TMA in June 2025, she has curated Digital Artists in Residence: Dan Hernandez and Emily Xie and Beeple Studios: Transient Bloom. Previously, Rozanski worked for over a decade as the Curatorial Associate in the Department of Modern and Contemporary Art at the National Gallery of Art (NGA) in Washington D.C., where she contributed to over a dozen exhibitions, including The Land Carries Our Ancestors: Contemporary Art by Native Americans, Philip Guston Now, and Los Angeles to New York: Dwan Gallery, 1959–1971. In 2021, she commissioned Kay Rosen’s SORRY for the East Building façade. At NGA she organized Eric-Paul Riege’s Weaving Dance, Josiah McElheny’s Two Walking Mirrors, Conversations with Artists: Jessica Jackson Hutchins, Walter Price, and Devin Troy Strother and USCO: Films, Performance, and Conversation with 1960s Multimedia. She also contributed to the publications, Dwan Gallery: Los Angeles to New York, 1959-1971 (2016) and Modernism from the National Gallery of Art: The Robert & Jane Meyerhoff Collection (2014). In 2022–23, she was awarded the Ailsa Mellon Bruce National Gallery of Art Sabbatical fellowship by the Center for Advanced Study in the Visual Arts for her work on USCO. She recently published “We Are All One: In the Company of USCO” in New York History (Cornell University Press, Winter 2024) and co-authored, “‘The Communication of Experience is Art:’ USCO, the Castalia Foundation, and Psychedelic Art in the Hudson Valley” in Hudson River Valley Review (Marist College, Autumn 2024). She has held roles at Glenstone Museum, Whitney Museum of American Art, The Phillips Collection, and Dia Beacon. She received her MA in Modern Art: Critical Studies from Columbia University and her BA in Anthropology with departmental honors from Vassar College.