Steve Mumford, Bathers by the Tigris River, Baghdad. The Fl NG soldiers were looking for weapons caches, Aug, 2003 (from the series Iraq, 2003-05), 2003
Lamia Joreige, Objects of War n° 3, 2006 (video still). Courtesy of the artist.
Installation view. Parsons, New School. New York, NY.
Responding to the rapid, often violent transformations of the 21st century, contemporary artists have displayed a growing desire to activate art’s documentary capacity, its ability to bear witness to events in the world. All of the works in The Storyteller revolve around situations that are either in the process of unfolding or that continue to impact the lives of the artists or protagonists. However, in each case, these events are re-imagined and thereby re-experienced through the artist’s personal encounter or the character’s narration. For the artists in the exhibition, the story functions neither as a purely imagined narrative nor as a piece of verifiable information. Rather, it is a document of a different sort, one whose focus is less empirical accuracy than the reality of events as they are encountered, experienced and delivered by a thinking, receiving subject and an active listener. The story is at once temporal and personal, public and communal. It persists through the listener’s interpretive process and through each subsequent retelling.
The Storyteller includes an international group of artists working in video, photography, drawing, mixed media and installation: all media that lend themselves to a documentary approach. Although the featured artists have enjoyed a degree of critical attention, none has yet received serious consideration for the role that storytelling plays in his or her work. In some cases, the artist’s “story” takes the form of a drama based on real events, and in other cases, the stories function less as reconstructions of the past than investigations into the relationship between past and present. A third group appeals to diverse literary genres, while the fourth group initiates a dialogue with active participants in contemporary political situations that their projects serve to narrate.
For both the film-only version and full exhibition, most of the videos are also available with Spanish subtitles.