Making It Real examines recent photographs that deliberately expose the artifice of their fabricated, set-up, and arranged subjects. The artist photographers in Making It Real treat the notion of photographic "truth" with skepticism but unlike postmodern photographers who consciously negate the principles of straight photography, the artists in Making It Real instead challenge these principles without ever really stepping outside their boundaries. Their subjects are examined directly and presented free of darkroom manipulations; they attempt to record things that exist in the world of situations, events, and objects. By making simulated reality their subject and deliberately exposing their setups, the artists produce photographs that are both deceptive and precise descriptions of reality. In this manner, they mock, and at the same time make operable, traditional claims of the photograph to truth, objectivity, and realism while questioning the validity of traditional dichotomies such as true and false, fact and fiction.
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West Hartford, CT, USA
Cape Town, South Africa
Philadelphia, PA, USA
Skopje, Macedonia
Los Angeles, CA, USA
Quito, Ecuador
Dublin, Ireland
Gothenburg, Sweden
Tirana, Albania
Tirana, Albania
Lagos, Nigeria
Lagos, Nigeria
Ho Chi Minh City, Vietnam
Sioux Falls, SD, USA
Greenfield, MA, USA
New Orleans, LA, USA
Mobile, AL, USA
Conway, SC, USA
Taipei, Taiwan
Storrs, CT, USA
Indianapolis, IN, USA
Springfield, MA, USA
New York, NY, USA
Portland, ME, USA
Fitzroy, Australia
Wooster, OH, USA
London, England, UK
East Jerusalem
Berlin, Germany
Biel, Switzerland
Ulaanbaatar, Mongolia
Raleigh, NC, USA
Greencastle, IN, USA
Calgary, Canada
Dakar, Senegal
Moscow, Russia