INDEPENDENT CURATORS INTERNATIONAL
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TCC: Terry Smith in Conversation with Paul O’Neill


Terry Smith in Conversation with Paul O’Neill
Saturday, September 14, 2013
3–4:30pm

New Museum
235 Bowery
New York, NY 10002

Author and art historian Terry Smith will be in conversation with Paul O’Neill, author of The Culture of Curating, the Curating of Culture(s) (2012) and Director of the Graduate Program, Center for Curatorial Studies at Bard College. Having both recently published the only book-length essays to map out contemporary curatorial practices, Smith and O’Neill will discuss trends in curatorial thought in a rapidly evolving international field. As part of the ongoing research and conversations related to his recent publication, Thinking Contemporary Curating (2012), Smith has been speaking with preeminent curators and art historians, including Carolyn Christov-Bakargiev, Sofia Hernández Chong Cuy, Jens Hoffmann, Mary Jane Jacob, Julian Myers, Maria Lind, Mami Kataoka, and Zdenka Badovinac. This is the seventh public presentation in the series of conversations that will lead to Thinking Contemporary Curating Volume 2. Moderator: Johanna Burton, Keith Haring Director and Curator of Education and Public Engagement at the New Museum. Respondent: Liam Gillick.

More information here.

September 14, 2013

New Museum
235 Bowery
New York, NY 10002

presenter

Terry Smith

Terry Smith, FAHA, CIHA, is Andrew W. Mellon Professor of Contemporary Art History and Theory in the Department of the History of Art and Architecture at the University of Pittsburgh. In 2010 he was named the Australia Council Visual Arts Laureate, and won the Mather Award for art criticism conferred by the College Art Association (USA). During 2001-2002 he was a Getty Scholar at the Getty Research Institute, Los Angeles, in 2007-8 the GlaxoSmithKlein Senior Fellow at the National Humanities Research Centre, Raleigh-Durham, and in 2014 Clark Fellow at the Clark Institute, Williamstown. From 1994-2001 he was Power Professor of Contemporary Art and Director of the Power Institute, Foundation for Art and Visual Culture, University of Sydney. In the 1970s he was a member of the Art & Language group (New York) and a founder of Union Media Services (Sydney). He is the author of a number of books, notably Making the Modern: Industry, Art and Design in America (University of Chicago Press, 1993); Transformations in Australian Art (Craftsman House, Sydney, 2002); The Architecture of Aftermath (University of Chicago Press, 2006), What is Contemporary Art? (University of Chicago Press, 2009), Contemporary Art: World Currents (Laurence King and Pearson/Prentice-Hall, 2011), and Thinking Contemporary Curating (Independent Curators International, New York, 2012). He is editor of many others including Antinomies of Art and Culture: Modernity, postmodernity and contemporaneity (with Nancy Condee and Okwui Enwezor, Duke University Press, 2008). A foundation Board member of the Museum of Contemporary Art, Sydney, he is currently a Board member of the Carnegie Museum of Art, Pittsburgh. http://www.terryesmith.net/web/


Paul O’Neill

Paul O’Neill is a curator, writer, artist, and educator. He is currently Director of the Graduate Program in Curatorial Studies at the Center for Curatorial Studies, Bard College. He is international tutor on the de Appel Curatorial Program, Amsterdam, and international research fellow with The Graduate School of Creative Arts and Media, Dublin. From 2007 to 2010, he was responsible for directing the major international research program Locating the Producers at Situations, University of the West of England, Bristol. He has previously held lecturing positions on the MFA in Curating, Goldsmiths, University of London and Visual Culture, Middlesex University, amongst others. Between 2001 and 2003, he was the Curator of London Print Studio Gallery, where he curated group shows such as Private Views; Drawn Out; Frictions; and A Timely Place…Or Getting Back to Somewhere. He was Artistic Director of Multiples X from 1997 to 2006, an organization that commissioned and supported curated exhibitions of artist’s editions, which he established in 1997 and included exhibitions at spaces such as the ICA, London; Temple Bar Gallery, Dublin; Ormeau Baths, Belfast; Glassbox, Paris, and The Lowry, Manchester. O’Neill has co-curated more than fifty exhibition projects across the world. His writings have been published in many books, catalogues, journals, and magazines and he is a regular contributor to Art Monthly. He is Reviews Editor for Art and the Public Sphere Journal and on the editorial board of The Exhibitionist, and The Journal of Curatorial Studies. He is editor of the curatorial anthology Curating Subjects (2007), and co-editor of Curating and the Educational Turn with Mick Wilson (2010), both published by de Appel and Open Editions (Amsterdam and London), and author of Locating the Producers: Durational Approaches to Public Art (Amsterdam, Valiz, 2011), edited with Claire Doherty. He recently completed the authored book The Culture of Curating, the Curating of Culture(s), (Cambridge, The MIT Press, 2012).


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