Independent Curators International supports the work of curators to help create stronger art communities through experimentation, collaboration, and international engagement.

Independent Curators International supports the work of curators to help create stronger art communities through experimentation, collaboration, and international engagement.

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The Critical Edge of Curating

Maurizio Cattelan, Novecento, 1997. Taxidermied horse, leather saddle, rope, and pulley, 201.2 x 271.3 x 68.6 cm. © Maurizio Cattelan. Photo: Paolo Pellion di Persano, courtesy the artist

Nov 4, 2011
2–7 pm

New York, NY, USA
Solomon R. Guggenheim Museum

Peter B. Lewis Theater
1071 Fifth Avenue (at 88th Street)
New York, NY 10128

 

Maurizio Cattelan, Novecento, 1997. Taxidermied horse, leather saddle, rope, and pulley, 201.2 x 271.3 x 68.6 cm. © Maurizio Cattelan. Photo: Paolo Pellion di Persano, courtesy the artist

Co-organized by Nancy Spector, Deputy Director and Chief Curator, and curator of Maurizio Cattelan: All, and Kate Fowle, Executive Director, Independent Curators International (ICI).

Curators from around the world discuss critical issues in their practice today, examining the possible impact of exhibitions and related curatorial activities on cultural and social change. Key questions will be addressed as points of departure for a broader theoretical and practical analysis of the field, through conversation amongst colleagues from various institutions and alternative spaces, as well as those working independently.

Discussion topics include:

No End in Sight
For many curators and artists working today, the exhibition no longer serves as the culminating manifestation of their work. For some, it is merely one step along a trajectory of research and planning. For others it has become an entirely dispensable model. This discussion will focus on alternative modes of curatorial activity and the expanded notion of what constitutes an exhibition.
Speakers: Ute Meta Bauer, Hans Ulrich Obrist, Anton Vidokle

Authorship and Agency
As the relationship between artist and curator increasingly blurs, the notion of authorship comes to the fore. This discussion will address the question of curatorial agency in an expanded field of production, by looking at the shifting distinctions between facilitation and the creative process. It will also examine the role of the audience in determining content for a time newly dominated by social media.
Speakers: Shelley Bernstein, Chus Martinez, Ralph Rugoff

Site-Specificity
In a world of global cultural flows, does the art-historical notion of site-specificity (as it developed in the post-Minimalist practices of the 1960s and ‘70s) still resonate, or is it now just a nostalgic attachment to place? This discussion will focus on different modes of “specificity” in use today, including art created in relation to social and political contexts, as well as art adapted to museum architecture, and art situated in an expanded public realm.
Speakers: Tom Eccles, Eungie Joo, Rodrigo Moura

Curating as Activism; the Social Responsibility of the Museum
The intersection of global cultural activity (including the building of new museums and emerging biennial models) with the political realities encountered around the world today, raises issues of social responsibility. This discussion will ask whether curatorial practice can have meaningful social or political impact, as well as what the responsibility of the curator and the museum should be to address and/or ameliorate injustice. It will also examine whether art itself can be a transformative force.
Speakers: Tom Finkelpearl, Christine Tohme, Nato Thompson

Transnational Currents
With the recent emergence of transnationality as an intellectual framework to rethink the concept of globalization and regional-specific studies, the question arises in both the academy and museum, whether the term applies to actual art production or whether it is merely a discursive model for interpretation. This discussion will ask what it means to curate a transnational exhibition in a world of shifting geo-political, cultural, and social realities.
Speakers: Suzanne Cotter, Weng Choy Lee, Yasmil Raymond

The program is followed by a reception that includes a viewing of Maurizio Cattelan: All.

Presenters
Eungie Joo

Eungie Joo is Director of Art and Cultural Programs at Instituto Inhotim in Brazil.

Kate Fowle

Kate Fowle is Director of MoMA PS1 in New York.

Weng Choy Lee

Weng Choy Lee lives and works in Singapore, where he is an art critic and president of the Singapore Section of the International Association of Art Critics.

Rodrigo Moura

Rodrigo Moura is a curator, editor and art writer.

Nato Thompson

Nato Thompson is Chief Curator at Creative Time.

Hans Ulrich Obrist

Hans Ulrich Obrist (b. 1968, Zürich, Switzerland) is Artistic Director of the Serpentine Galleries in London, and Senior Artistic Advisor of The Shed in New York.

Chus Martínez

Born in Spain, Chus Martínez has a background in philosophy and art history. Currently she is the Head of the Institute of Art of the FHNW Academy of Arts and Design in Basel, Switzerland.

Ute Meta Bauer

Ute Meta Bauer is Founding Director of Nanyang Technological University (NTU) Centre for Contemporary Art (CCA) in Singapore.

Anton Vidokle

Anton Vidokle is an artist who was born in Moscow and raised in the Lower East Side, NYC

Nancy Spector

Nancy Spector is Deputy Director and Chief Curator of the Solomon R. Guggenheim Museum.

Shelley Bernstein

Shelley Bernstein is the Chief of Technology at the Brooklyn Museum.

Suzanne Cotter

Suzanne Cotter is Curator of the Guggenheim Abu Dhabi Project.

Tom Finkelpearl

Tom Finkelpearl is the former Commissioner of the New York City Department of Cultural Affairs.

Yasmil Raymond

Yasmil Raymond joined The Museum of Modern Art as Associate Curator in the Department of Painting and Sculpture in July 2015.

Ralph Rugoff

Ralph Rugoff was the Curator and Artistic Director of the 2019 Venice Biennale of Art, May You Live in Interesting Times.

Christine Tohme

Christine Tohme is a Beirut-based cultural organizer, art activist and curator.