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Full Dollar


Don Pili, 2012, “Clinica El Deforme” part of The Full Dollar Collection of Contemporary Art (2009-13). Photography: Vicente Gaibor del Pino.

Full Dollar: Contemporary Art and Phantasmagoric Partnerships
Thursday, June 6, 2013
6:30–8pm

ICI Curatorial Hub
401 Broadway, Suite 1620
New York, NY 10013
FREE

X. Andrade, chairman-for-life of Full Dollar, presents a conversation on phantom entities in contemporary art practices with Filip Noterdaeme (the Homeless Museum, Brooklyn) and Ruben Bonet (Fundación Adopte a Un Escritor, Mexico City). The three will offer their take on institutional critique through their own organizations, and their use of text-based interventions: Full Dollar’s move from art to textual production and back, the Homeless Museum’s current manifestation as a book, and Fundación Adopte a Un Escritor’s infamous Manifiesto Introducible. X. Andrade is the founder of Full Dollar, established in 2004, a company that takes an ethnographic look at art scenes and institutions, and the social life of objects, images, and ideas.

This event is free and open to the public. Please RSVP to .(JavaScript must be enabled to view this email address) with FULL DOLLAR in the subject field.

June 6, 2013

401 Broadway, Suite 1620
New York, NY 10013

presenter

X. Andrade

X. Andrade (b. Ecuador) lives in New York and works in Ecuador. A visual anthropologist (New School for Social Research) and Chairman-for-Life of Full Dollar, a company founded in 2004 that traffics in anthropology and contemporary art. Its name follows the dollarization of Ecuadorian economy in 2000. In both fields Andrade is interested in casting an ethnographic look on art scenes and institutions, and the social life of objects, images, and ideas. Due to the nature of his background in academia and public interventions, most of his activities take place outside the art establishment, but he has nevertheless taken part in Aleksandra Mir’s project, Naming Tokyo, at the Palais de Tokyo, Paris (2003); Closing Time, Paris, Quito, Bilbao Biennial, Paris (2006); Arte Conceptual en Ecuador (Conceptual Art in Ecuador), Museo del Banco Central, Quito (2007); La Otra Feria de Arte Contemporaneo, Bogota (2008); Project Room, Arte Actual, Quito (2011); and Outpost @ The Armory Center for the Arts, Los Angeles (2011-13). His current project is The Full Dollar Collection of Contemporary Art (2009-13), a critique of institutional collecting practices formulated under the language of sign painting. A first iteration of this project is currently being shown in the neighborhood of Highland Park, Los Angeles. The collection as such will be exhibited in Quito and Guayaquil in June and July 2013. All of Full Dollar’s projects require collaboration with artists and non-artists. As a professor, he teaches at the Facultad Latinoamericana de Ciencias Sociales (FLACSO-Ecuador).


Filip Noterdaeme

Filip Noterdaeme is the founder and director of the Homeless Museum of Art (HOMU), a pastiche of the contemporary art museum. He lives in New York City, where he teaches art history at the New School, New York University, and CUNY, lectures at the Museum of Modern Art and the Guggenheim Museum, and writes a blog about art for The Huffington Post. His conceptual memoir, The Autobiography of Daniel J. Isengart, written in the style of Gertrude Stein’s The Autobiography of Alice B. Toklas, was published in March 2013 by Outpost19. www.homelessmuseum.org


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