Independent Curators International (ICI) produces exhibitions, events, publications, research and training opportunities for curators and diverse audiences around the world. Established in 1975 and headquartered in New York, ICI is a hub that connects emerging and established curators, artists, and art spaces, forging international networks and generating new forms of collaborations. ICI provides access to the people and practices that are key to current developments in the field, inspiring fresh ways of seeing and contextualizing contemporary art.
Paul O’Neill is a curator, writer, artist, and educator. He is currently Director of the Graduate Program in Curatorial Studies at the Center for Curatorial Studies, Bard College. He is international tutor on the de Appel Curatorial Program, Amsterdam, and international research fellow with The Graduate School of Creative Arts and Media, Dublin. From 2007 to 2010, he was responsible for directing the major international research program Locating the Producers at Situations, University of the West of England, Bristol. He has previously held lecturing positions on the MFA in Curating, Goldsmiths, University of London and Visual Culture, Middlesex University, amongst others. Between 2001 and 2003, he was the Curator of London Print Studio Gallery, where he curated group shows such as Private Views; Drawn Out; Frictions; and A Timely Place…Or Getting Back to Somewhere. He was Artistic Director of Multiples X from 1997 to 2006, an organization that commissioned and supported curated exhibitions of artist’s editions, which he established in 1997 and included exhibitions at spaces such as the ICA, London; Temple Bar Gallery, Dublin; Ormeau Baths, Belfast; Glassbox, Paris, and The Lowry, Manchester. O’Neill has co-curated more than fifty exhibition projects across the world. His writings have been published in many books, catalogues, journals, and magazines and he is a regular contributor to Art Monthly. He is Reviews Editor for Art and the Public Sphere Journal and on the editorial board of The Exhibitionist, and The Journal of Curatorial Studies. He is editor of the curatorial anthology Curating Subjects (2007), and co-editor of Curating and the Educational Turn with Mick Wilson (2010), both published by de Appel and Open Editions (Amsterdam and London), and author of Locating the Producers: Durational Approaches to Public Art (Amsterdam, Valiz, 2011), edited with Claire Doherty. He recently completed the authored book The Culture of Curating, the Curating of Culture(s), (Cambridge, The MIT Press, 2012).
The book’s author, Terry Smith, is holding conversations about his new publication with prominent curators and art historians. The next event is a closed-door conversation between Smith and Boris Groys, Global Distinguished Professor of Russian and Slavic Studies, NYU.read more »
Author and art historian Terry Smith will be in conversation with Paul O’Neill, author of The Culture of Curating and the Curating of Culture(s) (2012) and Director of the Graduate Program, Center for Curatorial Studies, at Bard College.read more »