INDEPENDENT CURATORS INTERNATIONAL
collaborators

Nancy Adajania

Nancy Adajania is a cultural theorist and curator based in Bombay. Her book, The Thirteenth Place: Positionality as Critique in the Art of Navjot Altaf, which is written from a politics of culture perspective, was published by The Guild, Bombay, in 2016. She was Joint Artistic Director of the 9th Gwangju Biennale (2012) and has curated a number of exhibitions including a cycle of video art for ‘Sights and Sounds: Global Film and Video’, Jewish Museum, New York (2015). In 2013 and 2014, Adajania taught the curatorial practice course at the Salzburg International Summer Academy of Fine Arts. In 2014, she curated the hybrid exhibition-publication project ‘Sacred/Scared’ (Latitude 28/ TAKE on Art magazine, Delhi), interweaving the expressive with the discursive by linking the exhibition to a transdisciplinary anthology. Adajania has proposed several new theoretical models through her extensive writings on media art, public art, the biennial culture, transcultural art practices, and the relationship of art to the public sphere. Adajania is the editor of the monograph Shilpa Gupta (Prestel, 2010) and co-author of The Dialogues Series (Popular Prakashan/ foundation b&g, Bombay 2011). She was research scholar-in-residence at BAK/ basis voor actuele kunst, Utrecht, 2010 and 2013. Adajania is a member of the faculty for the Art Criticism and Theory Course (ACT) at Jnanapravaha, Bombay. Her monographic essay, ‘Obey the little laws and break the great ones: A life in feminism’, has been recently published in Arc Silt Dive: The Works of Sheba Chhachhi (Tulika in association with Volte Gallery, Delhi/Bombay, 2016).

involved in:

Curatorial Intensive in Dakar

In partnership with RAW Material Company, ICI will organize the Curatorial Intensive in Dakar, Senegal.

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Notes towards a Lexicon of Urgencies

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Notes towards a Lexicon of Urgencies

To our generation of cultural producers, location has long ago liberated itself from geography. We map our location on a transregional lattice of shifting nodes representing intense occasions of collegiality, temporary platforms of convocation, and transcultural collaborations. As we move along the shifting nodes of this lattice, we produce outcomes along a scale of forms ranging across informal conversations, formal symposia, self-renewing caucuses, periodic publications, anthologies, traveling exhibitions, film festivals, biennials, residencies, and research projects. This global system of cultural production takes its cue from the laboratory: as in all laboratories, the emphasis is on experiment and its precipitates. However, to the extent that this system is relayed across a structure of global circulations, it also possesses a dimension of theatre: a rather large proportion of its activity is in the nature of rehearsal and restaging.

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