INDEPENDENT CURATORS INTERNATIONAL
collaborators

Maria Lind

Maria Lind is a curator, writer and educator based in Stockholm. She is the director of Tensta konsthall, Stockholm, and the artistic director of the 11th Gwangju Biennale. She was director of the graduate program, Center for Curatorial Studies, Bard College (2008-2010) and director of Iaspis in Stockholm (2005-2007). From 2002-2004 she was the director of Kunstverein München where, together with a curatorial team including the curator Sören Grammel, she ran a program including artists such as Deimantas Narkevicius, Oda Projesi, Annika Eriksson, Bojan Sarcevic, Philippe Parreno and Marion von Osten. From 1997-2001 she was curator at Moderna Museet in Stockholm, responsible for Moderna Museet Projecs with 29 commissions with among others Simon Starling, Apolonija Sustersic, Koo Jeong-a and Matts Leiderstam, and, in 1998, co-curator of Manifesta 2. She has taught widely since the early 1990s, for example at the Art Academy in Munich and the Royal Institute of Art in Stockholm. Currently she is professor of artistic research at the Art Academy in Oslo. She has contributed widely to newspapers, magazines, catalogues and other publications. Among her recent co-edited publications are Contemporary Art and Its Commercial Markets: A Report on Current Conditions and Future Scenarios, Performing the Curatorial: With and Beyond Art, and Art and the F Word: Reflections on the Browning of Europe, all at Sternberg Press. She edited Abstraction as part of MIT’s and Whitechapel Gallery’s series Documents on Contemporary Art. She is the 2009 recipient of the Walter Hopps Award for Curatorial Achievement. In the fall of 2010 Selected Maria Lind Writing was published by Sternberg Press.

involved in:

Thinking Contemporary Curating

The book’s author, Terry Smith, is holding conversations about his new publication with prominent curators and art historians. The next event is a closed-door conversation between Smith and Boris Groys, Global Distinguished Professor of Russian and Slavic Studies, NYU.

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Project 35 Volume 2

Following the widespread popularity and success of PROJECT 35, ICI is collaborating with 35 more international curators to produce PROJECT 35 VOLUME 2. This program of single-channel videos is selected by 35 international curators who each chose one work from an artist they think is important for audiences around the world to experience today.

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Curator’s Perspective: Maria Lind

ICI launches the 2012 Curator’s Perspective series with a lecture by Maria Lind at the CUNY Graduate Center.

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The Now Museum

The Now Museum: Contemporary Art, Curating Histories, Alternative Models conference, co-organized by the Ph.D. Program in Art History at the CUNY Graduate Center, Independent Curators International, and the New Museum, aims to tackle key questions around the museum as an institutional entity and contemporary art as an art historical category.

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Summer 2010

The first iteration of The Curatorial Intensive took place in June 2010 in New York for emerging curators.

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Everything Can Be Different

Everything Can Be Different presents a new trend in contemporary art practice, emphasizing optimism and experimentation.

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