INDEPENDENT CURATORS INTERNATIONAL
collaborators

Maria Lind

Maria Lind is Director of the Tensta Konsthall and an independent curator and writer interested in exploring the formats and methodologies connected with the contemporary art institution. She was the director of the graduate program at the Center for Curatorial Studies, Bard College from 2008–10. Before that, she was director of lASPIS in Stockholm (2005–07) and Director of the Munich Kunstverein (2002–04). Previous to that she was curator at Moderna Museet in Stockholm (from 1997–2001) and in 1998 was co-curator of Manifesta 2, Europe’s nomadic biennial of contemporary art. Lind was the 2009 recipient of the Walter Hopps Award for Curatorial Achievement. A compendium of her essays to date, Selected Maria Lind Writing, was published by Sternberg Press in 2010.

involved in:

Thinking Contemporary Curating

The book’s author, Terry Smith, is holding conversations about his new publication with prominent curators and art historians. The next event is a closed-door conversation between Smith and Boris Groys, Global Distinguished Professor of Russian and Slavic Studies, NYU.

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Project 35 Volume 2

Following the widespread popularity and success of PROJECT 35, ICI is collaborating with 35 more international curators to produce PROJECT 35 VOLUME 2. This program of single-channel videos is selected by 35 international curators who each chose one work from an artist they think is important for audiences around the world to experience today.

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Curator’s Perspective: Maria Lind

ICI launches the 2012 Curator’s Perspective series with a lecture by Maria Lind at the CUNY Graduate Center.

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The Now Museum

The Now Museum: Contemporary Art, Curating Histories, Alternative Models conference, co-organized by the Ph.D. Program in Art History at the CUNY Graduate Center, Independent Curators International, and the New Museum, aims to tackle key questions around the museum as an institutional entity and contemporary art as an art historical category.

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Summer 2010

The first iteration of The Curatorial Intensive took place in June 2010 in New York for emerging curators.

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Everything Can Be Different

Everything Can Be Different presents a new trend in contemporary art practice, emphasizing optimism and experimentation.

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