INDEPENDENT CURATORS INTERNATIONAL
collaborators

Hans Ulrich Obrist

Hans Ulrich Obrist (b. 1968, Zurich, Switzerland) is co-director of the Serpentine Galleries, London. Prior to this, he was the Curator of the Musée d’Art Moderne de la Ville, Paris. Since his first show “World Soup” (The Kitchen Show) in 1991 he has curated more than 250 shows.

Obrist’s recent publications include A Brief History of Curating, Project Japan: Metabolism Talks with Rem Koolhaas, Everything You Always Wanted to Know About Curating But Were Afraid to Ask,Do It: The Compendium, Think Like Clouds, Ai Weiwei Speaks, Sharp Tongues - Loose Lips - Open Eyes - Ears to the Ground, along with new volumes of his Conversation Series.

involved in:

do it (short)

An animated short about Hans Ulrich Obrist’s ongoing exhibition do it, narrated by Reggie Watts.

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do it 2013 at Manchester Art Gallery

do it on view at Manchester Art Gallery from July 5 – September 22, in conjunction with the Manchester International Festival.

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CELEBRATE DO IT

do it: the compendium, at the Park Avenue Armory, New York. The soiree was highlighted by the enactment of do it instructions by Uri Aran and Yoko Ono, a live performance by Burberry Acoustic musician Roo Panes, and DJ set by artist Eddie Peake. Photographer: Joe Schildhorn /Billy Farrell Agency

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Scores for Installations: Conversation with Robert Fleck

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“Looking Back: 1993” with Hans Ulrich Obrist and Massimiliano Gioni

Join Hans Ulrich Obrist and Massimiliano Gioni for a talk on the exhibition do it and the seminal year of 1993. This event is sold out!

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The Independent Vision Curatorial Award: Winners

Independent Curators International (ICI) Announces the Winners of the 2012 ICI Independent Vision Curatorial Award: NAV HAQ and JAY SANDERS

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The Independent Vision Curatorial Award: Nominees

Announcing Independent Curators International (ICI’s) 2012 Nominees for the ICI Independent Vision Curatorial Award.

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do it

do it is the longest-running and most far-reaching exhibition to ever happen, giving new meaning to the concept of the "Exhibition in Progress." do it takes written instructions by artists as a point of departure, which can be interpreted anew each time they are enacted.

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The Critical Edge of Curating

From November 4-5, 2011, curators from around the world discussed critical issues in their practice today, examining the possible impact of exhibitions and related curatorial activities on cultural and social change.

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FAX

FAX invites a multigenerational group of artists, as well as architects, designers, scientists and filmmakers, to conceive of the fax machine as a tool for thinking and drawing.

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Project 35

Project 35 is a program of single-channel videos selected by 35 international curators who have each chosen one work by an artist that they think is important for audiences around the world to experience today. The resulting compendium is released in four installments and is presented simultaneously in an ever-expanding number of venues.

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