INDEPENDENT CURATORS INTERNATIONAL
collaborators

Carlos Motta

Carlos Motta’s (Colombia, 1978) multi-disciplinary art practice documents the social conditions and political struggles of sexual, gender, and ethnic minority communities in order to challenge dominant and normative discourses through visibility and self-representation. His work was the subject of the survey exhibitions Carlos Motta: Formas de Libertad at the Museo de Arte Moderno de Medellín (MAMM), Colombia (2017) that traveled to Matucana 100, Santiago, Chile (2018); and Carlos Motta: For Democracy There Must Be Love, Röda Sten Konsthall, Gothenburg, Sweden (2015).  His solo exhibitions at international museums include, The Crossing (2017), Stedelijk Museum, Amsterdam; Histories for the Future (2016), Pérez Art Museum (PAMM), Miami; Réquiem (2016), Museo de Arte Latinoamericano the Buenos Aires (MALBA) (2016); Patriots, Citizens, Lovers (2015), PinchukArtCentre, Kiev; Gender Talents (2013), Tate Modern, London; La forma de la Libertad (2013), Sala de Arte Público Siqueiros, Mexico; We Who Feel Differently (2012), New Museum, New York; Brief History (2009), MoMA/PS1, New York; and The Good Life (2008), Institute of Contemporary Art (ICA), Philadelphia; among others. Motta won the Vilcek Foundation’s Prize for Creative Promise (2017); the PinchukArtCentre’s Future Generation Art Prize (2014); and a Guggenheim Fellowship (2008). He is a graduate of the Whitney Independent Study Program (2006); and received grants from Art Matters (2008), NYSCA (2010), Creative Capital Foundation; and the Kindle Project (2012). Motta participated in Incerteza Viva: 32nd Bienal de São Paulo (2016); A Story Within A Story: Göteborg International Biennial of Contemporary Art (2015); Burning Down the House: X Gwangju Biennale (2014); and Le spectacle du quotidian: X Lyon Biennale (2010). His films have been screened at the Rotterdam Film Festival (2016, 2010); Toronto International Film Festival (2013); and Internationale Kurzfilmtage Winterthur (2016); among many others.

involved in:

Humboldt’s Parrot: David Ayala-Alfonso, Carlos Motta and Felipe Steinberg

Humboldt’s Parrot: David Ayala-Alfonso, Carlos Motta and Felipe Steinberg in conversation

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Never Spoken Again: Rogue Stories of Science and Collections

Never Spoken Again reflects on the birth of modern collections, the art institutions that sustain them and their contingent origin stories. Curated by Colombian curator David Ayala-Alfonso, an alumnus of ICI’s Curatorial Intensive, the exhibition is part of ICI’s new series of programs supporting emergent voices in the curatorial field.

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Curatorial Intensive: Mexico City Faculty

A series of video interviews with selected faculty from the Curatorial Intensive in Mexico City, conducted in Spanish.

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Curatorial Intensive in Mexico City

This June, ICI, in collaboration with Fundación Jumex Arte Contemporáneo, will present a Curatorial Intensive in Mexico City––the third program conducted entirely in Spanish.

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