Independent Curators International (ICI) produces exhibitions, events, publications, research and training opportunities for curators and diverse audiences around the world. Established in 1975 and headquartered in New York, ICI is a hub that connects emerging and established curators, artists, and art spaces, forging international networks and generating new forms of collaborations. ICI provides access to the people and practices that are key to current developments in the field, inspiring fresh ways of seeing and contextualizing contemporary art.
Candice Hopkins is a curator and writer originally from Whitehorse, Yukon and based in Albuquerque, New Mexico. She is co-curator of the forthcoming SITE Santa Fe biennial, Casa Tomada, opening in August, 2018, as well as co-curator of the Canadian Pavilion at the 58th Venice Biennale opening May, 2019, which will feature the media work of Isuma Productions, a collective based in Igloolik and Montreal, Canada. She was a curator for documenta 14 in Athens, Greece and Kassel, Germany. Her writing is published widely and recent essays include “Outlawed Social Life” for South as a State of Mind and “The Gilded Gaze: Wealth and Economies on the Colonial Frontier” for the documenta 14 Reader. She has lectured on contemporary art, sound, indigeneity, native economies, and vernacular architecture at such venues as Witte de With, WIELS, Tate Modern, Dak’Art Biennale, Artists Space, Tate Britain and the National Gallery of Canada. She is the recipient of the Hnatyshyn Foundation Award for Curatorial Excellence in Contemporary Art and the 2016 the Prix pour un essai critique sur l’art contemporain by the Foundation Prince Pierre de Monaco. Hopkins is a citizen of Carcross/Tagish First Nation.
Developed by EXPO CHICAGO and ICI, the Curatorial Forum offers a group of mid-career and established curators, working independently or with an institutional affiliation, the opportunity to engage with their peers and explore significant issues relating to curating, programming, institution-building and audience engagement.read more »