INDEPENDENT CURATORS INTERNATIONAL
collaborators

Apichatpong Weerasethakul

Apichatpong Weerasethakul was born in 1970 in Bangkok and raised in the north-eastern Thai city of Khon Kaen. Working independently of the Thai commercial film industry, he is active in promoting experimental and independent filmmaking through his company Kick the Machine, which he founded in 1999. With Gridthiya Gaweewong he founded the Bangkok Experimental Film Festival in 1997, and presented it three more times through 2008. His work has been presented widely in art and film contexts internationally, including the Sharjah Biennial in the UAE (2013), dOCUMENTA 13 in Kassel, Germany (2012), Liverpool Biennial (2006), Busan Biennial (2004), the Istanbul Biennial (2001), and in solo and group exhibitions at art spaces including Haus der Kunst in Munich, Germany; Walker Art Center, Minneapolis; New Museum, New York; Irish Museum of Modern Art, Dublin; and Musée d’Art Modern de la Ville de Paris. Weerasethakul’s 2009 film, Uncle Boonmee Who Can Recall His Past Lives, won a Palme d’Or prize at the 63rd Cannes Film Festival. His feature films include: Cemetery of Splendour (2015), Uncle Boonmee Who Can Recall His Past Lives (2010), Syndromes and a Century (2006), Tropical Malady (2004), The Adventures of Iron Pussy (2003), Blissfully Yours (2002), and Mysterious Object at Noon (2000).

involved in:

APICHATPONG WEERASETHAKUL at MAIIAM

ICI’s latest exhibition, Apichatpong Weerasethakul: The Serenity of Madness, debuts Monday July, 4 at MAIIAM Contemporary Art Museum in the artist’s hometown of Chiang Mai, Thailand.

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APICHATPONG WEERASETHAKUL: THE SERENITY OF MADNESS

This unique solo exhibition presents a survey of rarely-seen experimental short films and installations by Apichatpong Weerasethakul, alongside archival documents, photographs, drawings and sketches that explore threads of socio-political commentary in the artist’s practice from early in his career to the present.

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INDEPENDENT CURATORS INTERNATIONAL
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