INDEPENDENT CURATORS INTERNATIONAL
collaborators

Anthony Huberman

Anthony Huberman is a curator and writer based in New York, where he is currently the director of The Artist’s Institute and a distinguished lecturer at Hunter College. As chief curator of the Contemporary Art Museum St. Louis, he organized exhibitions of Gedi Sibony, Lutz Bacher, Bruce Nauman, John Armleder, and Olivier Mosset, and initiated the ongoing exhibition series The Front Room. His recent group exhibition, For the blind man in the dark room looking for the black cat that isn’t there, traveled to museums in London, Detroit, Amsterdam, and Lisbon. He has previously worked as a curator at the Palais de Tokyo in Paris and at SculptureCenter in Long Island City, New York, and has published articles in art periodicals including Artforum, Afterall, and DotDotDot. He also co-directs The Steins, an occasional series of short exhibitions in New York.

involved in:

Curating Beyond Exhibition-Making

This fall Independent Curators International (ICI) produces the Curatorial Intensive: Curating Beyond Exhibition-Making, the first short course to offer training to curators on the concepts and logistics of organizing public events, workshops and other discursive program formats.

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Curatorial Roundtable at e-flux

This roundtable discussion brings together four of the international faculty of the Fall 2012 Curatorial Intensive: Curating Beyond Exhibition-Making: Anthony Huberman, Chus Martínez, Sally Tallant, and Dominic Willsdon.

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The Now Museum

The Now Museum: Contemporary Art, Curating Histories, Alternative Models conference, co-organized by the Ph.D. Program in Art History at the CUNY Graduate Center, Independent Curators International, and the New Museum, aims to tackle key questions around the museum as an institutional entity and contemporary art as an art historical category.

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Project 35

Project 35 is a program of single-channel videos selected by 35 international curators who have each chosen one work by an artist that they think is important for audiences around the world to experience today. The resulting compendium is released in four installments and is presented simultaneously in an ever-expanding number of venues.

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