Independent Curators International supports the work of curators to help create stronger art communities through experimentation, collaboration, and international engagement.

Independent Curators International supports the work of curators to help create stronger art communities through experimentation, collaboration, and international engagement.

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Allison Glenn

Allison Glenn is Senior Curator at the Public Art Fund and Co-Curator of the Counterpublic Triennial 2023, St. Louis. Formerly, she was Senior Curator and Director of Public Art at Contemporary Arts Museum Houston, where she provided senior leadership for CAMH’s curatorial team, encompassing exhibitions, public projects, and artist-driven initiatives in the public realm; both within and beyond the walls of the Museum. Glenn is deeply invested in working closely with artists to develop ideas, artworks, and exhibitions that respond to and transform our understanding of the world. Recently, she received substantial critical and community praise for her curatorial work in the groundbreaking exhibition at the Speed Art Museum in Louisville, Kentucky titled Promise, Witness, Remembrance.

During her 3 1/2 year tenure at Crystal Bridges Museum of American Art, Glenn further shaped how public sculpture activates and engages the museum’s 120-acres of Ozark woods with outdoor exhibitions, solo artist projects, and loans, working with Rashid Johnson, Sarah Braman, Sam Falls, Odili Donald Odita, Jessica Stockholder, George Sanchez-Calderon, Bethany Collins, and more. She was a member of the curatorial team for State of the Art 2020, which opened simultaneously at Crystal Bridges and the Momentary. In addition, she spearheaded the adaptation of Hank Willis Thomas: All Things Being Equal... (2020) at Crystal Bridges, the first comprehensive survey of the artist’s work, organized by the Portland Art Museum.