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Watch On Indigeneity, Curatorial Methodologies, and Sound, a conversation between Candice Hopkins writer, researcher, and a citizen of Carcross/Tagish First Nation and Co-Curator of ICI’s Soundings and Pablo José Ramírez, editor in chief of Infrasonica and Adjunct Curator of First Nations and Indigenous Art at Tate Modern. The two discussed notions of sound and Indigenous art and looked critically at the hierarchies of regularly established between the sonic and the visual realm.


Watch this video for an in-depth conversation with Candice Hopkins and Dylan Robinson, moderated by KWAG Senior Curator Crystal Mowry, to learn more about Soundings: An Exhibition in Five Parts and how the decolonial framework of the exhibition unfolds through the form of scores.

For more information about the event, click here.

Watch Curating Under Lockdown, a conversation between Curatorial Intensive alum Övül Ö. Durmusoglu, Joanna Warsza, Elena Sorokina, and Curatorial Intensive alum Tiago de Abreu Pinto, about three interrelated public art projects held in Berlin (Die Balkone), Paris (No Straight Line), and across Chile (Al Aire, Libre), in April and May of this year. The curators present on the scope of each project and discuss how they activated their communities during quarantine, claimed public space for art, and structured their responsive approaches on values of solidarity, generosity, and mutual support.

 

An experimental essay and collaboration with the artist Nika von Ham, published as the last chapter of Zdenka Badovinac’s Comradeship: Curating, Art, and Politics in Post-Socialist Europe, “My Post-Catastrophic Glossary” is written as a semi-fictional glossary.

Watch Zdenka Badovinac revisit this essay in conversation with writers and art historians Carlos Kong and Yin Ho, who were core participants of the Comradeship Reading Group, a year-long program to discuss and looking closely at Badovinac’s publication, Comradeship. The three talk about the genesis and format of the glossary, how the concepts of catastrophe influenced Badovinac’s work as a museum director, the future of museums, and importantly, how to become true comrades. Originally screened on Monday, June 29, 2020.

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