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An experimental essay and collaboration with the artist Nika von Ham, published as the last chapter of Zdenka Badovinac’s Comradeship: Curating, Art, and Politics in Post-Socialist Europe, “My Post-Catastrophic Glossary” is written as a semi-fictional glossary.

Watch Zdenka Badovinac revisit this essay in conversation with writers and art historians Carlos Kong and Yin Ho, who were core participants of the Comradeship Reading Group, a year-long program to discuss and looking closely at Badovinac’s publication, Comradeship. The three talk about the genesis and format of the glossary, how the concepts of catastrophe influenced Badovinac’s work as a museum director, the future of museums, and importantly, how to become true comrades. Originally screened on Monday, June 29, 2020.


Watch and Learn, as Paul Ramírez Jonas teaches us how to create his work Breath

 

Breath is one of 23 designs included in The Paper Sculpture Manual– a downloadable, printable, and sharable manual to take you away from your screens and recreate art expirences at home.

Click here to see a full list of artists and projects.

Listen to Pablo José Ramírez, the sixth recipient of the ICI/CPPC Travel Award for Central America and the Caribbean in 2019, speak about the relationship between indigeneity, Mestizaje and contemporary art, from a comparative perspective. Ramírez also discussed his recent projects including: his research around Garifuna Cultures in the Central American Caribbean; his editorial ideas around non-western sonic cultures with the curatorial platform Infrasonica, and his work as Adjunct Curator at Tate Modern.

 

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Listen to curator and scholar, Oluremi Onabanjo in conversation with renowned artist, Marilyn Nance discussing her photographic archive of FESTAC 77, the Second World Black and African Festival of Arts and Culture held in Lagos in 1977. Nance photographed the month-long festival, creating 1,500 images of the historic celebration of Pan-African art and culture. This program was co-presented with Denniston Hill. Originally recorded on January 27, 2020 at the ICI New York.

 

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