Iain Forsyth and Jane Pollard, Requiem for 114 Radios, 2016. Photo: Paul Heartfield. Courtesy of the artist and Kate MacGarry Gallery.
Marina Rosenfeld, Music Stands, 2019, steel, UV prints on Dibond, foam, audio components, computer, sound. Installation view at the Artists Institute. Photo by Christopher Aque. Courtesy of the artist and the Artists Institute.
Auriea Harvey, Sketchbook Movies, 1990–2012. Courtesy bitforms gallery, New York.