Annette Lemieux, Black Mass, 1991. Courtesy of the artist and Collection Emily Fisher Landau.

John Baldessari, A Two-Dimensional Surface Without Any Explanation is a Dead Experience, 1967. Courtesy of artist.

Critiques Of Pure Abstraction, Installation View, Blaffer Gallery, Houston, Texas, 1995. Courtesy of the Blaffer Gallery and ICI.

Critiques Of Pure Abstraction, Installation View, Weisman Art Museum, Minneapolis, Minnesota, 1997. Courtesy of the Weisman Art Museum and ICI. 

Critiques Of Pure Abstraction, Installation View, Armand Hammer Museum of Art and Cultural Center at UCLA, Los Angeles, California, 1996. Courtesy of Armand Hammer Museum of Art and Cultural Center at UCLA and ICI.