Indonesian eateries in Taiwan often serve as wedding photography venues for their fellow migrants. Pictured is one such location in Chiayi, central Taiwan. (Photo: Sally Sung)
Participants in the project conducting weekly street interviews in Taipei's Little Manila district, exchanging flowers for stories, 2022. (Photo: Chiu Chih-hua)
Liu Chun-liang's performance The Sum of all these Love in and around Wan Wan, 2022. (Photo: Sherry Chang)
Wu Mei-chi's site-specific work Room 114 at the Wan Wan Building in 2023, where she also organized a Filipino DJ event. (Photo: Sherry Chang)
A wall of Filipino romance novels (Precious Hearts Pocketbooks) displayed in Not Just Love Stories at the Wan Wan building, 2024. (Photo: Sherry Chang)
KK, whom we met during our residency, led several community walks through Taipei's Little Manila district. We got to know KK and his mother, who owned a massage business in Wan Wan, during our second year at the site. After his first community walk with us, KK began receiving invitations from various organizations to guide their cultural tours of migrant neighborhoods. (Photo: Sherry Chang)
Artist Cheng Jen-pei's spice and chocolate-making workshop, part of the Not Just Love Stories project, 2021.
Behind the scenes of artist Wei Ze's Demigod, featuring dancers from Uters Taiwan—a project addressing stories of undocumented babies in Taiwan. (Photo: Sally Sung)
Installation view of Elsewhere, within Now presenting Wanita Tanpa Nama (A Woman Without a Name), a collaborative work by Gemini Yang, Xiao Jun-Yi, Lin Xin-Hui, Tari Sasha, Evi Agustika, and Neni Triana.
Installation view of Elsewhere, within Now with Cheng Jen-Pei's Spice is a Way of Empowerment in the foreground and Ho Po-Ju, Pahrudin, and Muhamad Fauzi's photography series Love & U in the background.
Installation view of Elsewhere, within Now showing detail from Wu Mei-Chi's installation Gorgeous Shop.