Moe Penders, Elotes, from the series Cultura, 2017. Digital print, 16 × 20 in (40.64 × 50.8 cm). Courtesy of the artist.

Fernando Poyón, Resonancia, 2016, digital print on cotton paper. Courtesy of the artist.

Lorena Molina, How Blue, from the series How Blue, 2018. Chromogenic print. Courtesy of the artist.

Francis Almendárez, video still from Dinner as I remember, 2016, 3:14 min., single-channel video: CRT Monitor, media player, stereo sound. Courtesy of the artist.

Manuel Chavajay, Saq Taq Achik’ (detail), 2022. 5 photographs printed on paper, polyptych. Courtesy of the artist and Galería Extra.

Sandra Monterroso, Como los triángulos: el agua celeste y la indigófera nos devuelven la luz. [Like the triangles: the celestial water and the indigofera give us back the light], 2022. Wool rug dyed with cochineal, cotton cloth dyed with indigo, acrylic, neon. Courtesy of the artist and Sicardi | Ayers | Bacino, Houston.

J Molina Garcia, La Rabia Eterna De La Tierra (The eternal wrath of the earth), 2024, RC silver gelatin paper modified with mordançage chemistry. Courtesy of the artist.

Diana Werts, Rattlesnake Master, 2016. Acrylic on linen. Courtesy of the artist.

Excerpts from the James Dean Pruner archive. Photograph by Kevin Frank Pellecer.

Excerpts from the James Dean Pruner archive. Photograph by Kevin Frank Pellecer.