The Music of Raven Chacon
Friday, November 20
7pm PST / 10pm EST
A digital production available online only, presented by the Chan Centre
Reserve a ticket and watch online from November 20th
Online from Friday, November 20, 2020, watch The Music of Raven Chacon as part of the Belkin Art Gallery’s programming for Soundings: An Exhibition in Five Parts. This virtual concert includes digital recordings of three of Chacon’s compositions: American Ledger performed by the UBC Symphonic Wind Ensemble led by Robert Taylor; La’ts’aadah performed by violist Marina Thibeault; and Horse Notations performed by Paolo Bortolussi (flute), Jasper Wood and David Gillham (violins), Marina Thibeault (viola), Eric Wilson (cello) and Russell Wallace (drum).
The music of Raven Chacon invites a living dialogue between composer, performer and listener. With a practice that hovers at the intersection of visual art, installation and contemporary classical music, this award-winning artist from the Navajo Nation’s Fort Defiance uses conceptual graphic scores to dip into colors and timbres from across the spectrum of sound. Influenced by everything from heavy metal to the traditional Diné songs sung by his grandfather, Chacon’s compositions range from string quartets to a harbour symphony for a group of docked ships with fog horns. He has exhibited and performed at Whitney Biennial, Musée d’art Contemporain de Montréal, San Francisco Electronic Music Festival, 18th Biennale of Sydney, The Kennedy Center and more.
This virtual event is presented in collaboration with the Chan Centre for the Performing Arts, UBC’s Morris and Helen Belkin Art Gallery, and the UBC School of Music as part of Soundings: An Exhibition in Five Parts on view at the Belkin through December 6, 2020.
For more information and to reserve a ticket, click here.
Click here to watch more scores of artworks from Soundings being performed at the Belkin Art Gallery.
Soundings: An Exhibition in Five Parts is a traveling exhibition curated by Candice Hopkins and Dylan Robinson, and organized by Agnes Etherington Art Centre, Queen’s University, Canada and Independent Curators International (ICI). The exhibition and tour are made possible, in part, with the generous support from ICI’s International Forum and the ICI Board of Trustees. Additional support has been provided by the Social Sciences and Humanities Research Council of Canada, the Canada Council for the Arts’ New Chapter Program, the Isabel and Alfred Bader Fund of Bader Philanthropies, the Ontario Arts Council, the City of Kingston Arts Fund through the Kingston Arts Council, and the George Taylor Richardson Memorial Fund at Queen’s University.