Independent Curators International (ICI) supports the work of curators to help create stronger art communities through experimentation, collaboration, and international engagement. Curators are arts community leaders and organizers who champion artistic practice; build essential infrastructures and institutions; and generate public engagement with art. Our collaborative programs connect curators across generations, and across social, political and cultural borders. They form an international framework for sharing knowledge and resources — promoting cultural exchange, access to art, and public awareness for the curator’s role.
Jordan Wilson is an emerging curator and scholar and is currently a Ph.D. student in Anthropology at New York University. He is a member of the Musqueam First Nation, in what is now Vancouver, British Columbia, and holds an MA in Anthropology and a BA in Indigenous Studies, both obtained at the University of British Columbia (UBC). Prior to starting graduate studies, Wilson was a Curatorial Intern at UBC’s Morris and Helen Belkin Art Gallery (2017-2018), where he contributed to the exhibition Beginning with the Seventies: Collective Acts (2018). Wilson’s current research examines the politics of Indigenous language revitalization, the legacies of anthropological collecting, the practices of collecting institutions, as well as questions concerning Indigenous sovereignty and settler colonialism. His curatorial practice often involves considering the forms of relationships contemporary Indigenous peoples maintain with their ancestral art, material culture, and immaterial heritage currently held by colonial institutions, and the potential of Indigenous art in the public realm. This work is informed by desires for structural change in institutions with regard to Indigenous representation and engagement, as well as a commitment to the well-being of his home community. Wilson was a co-curator of c̓əsnaʔəm, the city before the city (2015), an exhibition developed collaboratively with Musqueam; and the long-term exhibition In a Different Light: Reflecting on Northwest Coast Art (2017) at the UBC Museum of Anthropology. His writing has appeared in Inuit Art Quarterly, The Capilano Review, Biography: An Interdisciplinary Quarterly, and Museum Worlds. He is also a writer and co-editor of the forthcoming book Where the Power Is: Indigenous Perspectives on Northwest Coast Art (Fall 2021).