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MANUEL BORJA-VILLEL

Manuel Borja-Villel has been the Director of the Museo Nacional Centro de Arte Reina Sofía since January 2008, where he has led the reorganization of the permanent collection. From 1998–2008, Borja-Villel was director of the Museu d’Art Contemporani de Barcelona (MACBA). Among the exhibitions he programmed at the MACBA were shows dedicated to Vito Acconci, El Lissitzky, Öyvind Fahlström, Peter Fischli & David Weiss, Robert Frank, David Goldblatt, Luís Gordillo, Raymond Hains, Richard Hamilton, William Kentridge, Perejaume, Michelangelo Pistoletto, Gerhard Richter, Martha Rosler, and Antoni Tàpies, among others. Borja-Villel was also a member of the Consulting Committee of Documenta 12 (2007), and the chair of the jury for the 52nd Venice Biennial (2007).

"The Now Museum: Contemporary Art, Curating Histories, Alternative Models" was presented by the Ph.D. Program in Art History at the CUNY Graduate Center, Independent Curators International, and the New Museum on March 10, 2011 - March 13, 2011.

Click here for more information about The Now Museum


 

OKWUI ENWEZOR

Okwui Enwezor is the newly appointed director of the Haus der Kunst, Munich. His work is engaged in postcolonial studies and African contemporary art and their relationships to acts of political resistance. Enwezor has written for many publications, including Nka: Journal of Contemporary African Art, of which he is a founding editor. He has served on numerous advisory boards, juries, and curatorial teams, and is the current Artistic Director of Meeting Points 6. Enwezor has served artistic director of the 2nd Johannesburg Biennial (1998), Documenta 11 (2002), the Bienial Internacional de Arte Contemporaneo de Sevilla (2006), and the 7th Gwangju Biennial (2008). He was Dean of Academic Affairs at San Francisco Art Institute (2005–09).

"The Now Museum: Contemporary Art, Curating Histories, Alternative Models" was presented by the Ph.D. Program in Art History at the CUNY Graduate Center, Independent Curators International, and the New Museum on March 10, 2011 - March 13, 2011.

Click here for more information about The Now Museum


 

TERRY SMITH

Terry Smith, FAHA, CIHA, is Andrew W. Mellon Professor of Contemporary Art History and Theory in the Department of the History of Art and Architecture at the University of Pittsburgh, and Distinguished Visiting Professor, National Institute for Experimental Arts, College of Fine Arts, University of New South Wales. In 2010 he was named Australia Council Visual Arts Laureate by the Australian Government, and won the Mather Award for art criticism conferred by the College Art Association (USA). He is the author of Making the Modern: Industry, Art and Design in America (University of Chicago Press, 1993; inaugural Georgia O’Keeffe Museum Book Prize 2009); Transformations in Australian Art, volume 1, The Nineteenth Century: Landscape, Colony and Nation, and volume 2, The Twentieth Century: Modernism and Aboriginality (Craftsman House, Sydney, 2002); The Architecture of Aftermath (University of Chicago Press, 2006), What is Contemporary Art? (University of Chicago Press, 2009), Contemporary Art: World Currents (Laurence King and Pearson/Prentice-Hall, 2011), and Thinking Contemporary Curating (Independent Curators International, 2012).

"The Now Museum: Contemporary Art, Curating Histories, Alternative Models" was presented by the Ph.D. Program in Art History at the CUNY Graduate Center, Independent Curators International, and the New Museum on March 10, 2011 - March 13, 2011.

Click here for more information about The Now Museum



 

A lecture by art critic and curator Weng Choy Lee looking at biennials, analyzing these mega-shows, and evaluating this exhibition format, particularly with regard to Asia. A skeptic of the power of generalization and overarching theories, Lee discusses a potentially globalized (loaded skepticism placed on this word) art world in Asia and Singapore. This event was produced by Independent Curators International and was held at the New Museum in New York on December 12, 2010. (59 minutes)

 

 

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