INDEPENDENT CURATORS INTERNATIONAL curatorial intensive

imPERFECT CITY

Conversation: Town Hall Meeting
Implementing Utopia: Group 1, Utopia Above the Law
Implementing Utopia: Group 1, Civic Seats: by Delaware artist Stephen Ruszkowski
DCCA Athletic Club: Lauren Ruth
Implementing Utopia: Group 1, Micro-Farm and Cyber Café: Philadelphia artist Chris Golas

imPERFECT CITY


A proposal by Maiza Hixson

What is imPERFECT CITY?

The Delaware Center for the Contemporary Arts (DCCA), located on the Wilmington, Delaware Riverfront, presents between 20 – 30 exhibitions annually of regionally, nationally and internationally recognized artists that explore topical issues in contemporary art and society. Initiated by DCCA Curator Maiza Hixson, imPERFECT CITY is a discursive, durational process for generating community within the museum that ultimately directs its gaze to long-term, local civic engagement. Based upon the principle of radical participation, the project hinges upon visitor-generated content and institutional transparency, and calls attention to the act of curating itself as a medium for activism and social practice.

An example of curating beyond traditional exhibition-making, imPERFECT CITY is designed to advance the field of curatorial discourse surrounding contemporary art and cultural production. As a model, it is based upon critical theory and knowledge-generation through an improvisatory process of visitor collaboration and grassroots self-organization.

Supported by a significant catalog publication, participatory discussions, and town hall style meetings with multiple publics and related activities, imPERFECT CITY, endeavors to create the conditions for audience engagement while acknowledging the limits of its seemingly utopian goal to achieve full visitor participation. The visitor is invited to become a citizen of imPERFECT CITY by attending the DCCA for utopian conversation, interfacing with the people involved, and helping to decide the nature and future of this community.

The project includes 4 phases:

I. Conversation: exploring Utopian concepts in Town Hall Planning Meetings with local and visiting scholars, artists, urban planners, architects, volunteers, and others who constitute the “Citizens” of imPERFECT CITY.
II. Proposals: for museum implementation; an ongoing open call for proposals for utopian projects realized as sites, workshops, and programs within DCCA Galleries.
III. Implementing Utopia: Group 1 of selected Utopian projects generated for imPERFECT CITY in DCCA galleries.
IV. imPERFECT CITY Symposium: After Group 1 projects have been fully implemented, DCCA will present its annual Gretchen Hupfel Symposium on the theme of the participatory exhibition.
V. Implementing Utopia: Group 2 of selected utopian projects generated for imPERFECT CITY in the city of Wilmington.


I. Conversation:

In order to support the utopian community planning process, a series of free and public Town Hall meetings organize visitors around a common goal: discussing what constitutes an ideal city. While participants include utopian scholars, artists, activists, curators, social media specialists, and other interested parties form the nexus of the citizenry, it is important to note that regardless of one’s professional affiliation, everyone who attends the meetings and engages with imPERFECT CITY is a citizen of imPERFECT CITY. Different citizens maintain diverse levels of engagement. Some may wish to participate by attending the Town Hall meetings or providing commentary on ideas of utopia and others propose specific projects for the exhibition. 

imPERFECT CITY
evolves from a series of Town Hall conversations into an intentional community within the DCCA. The exhibition “opens” during the planning phase to allow citizens to interface with DCCA curatorial staff who are present to answer questions visitors may have about curatorial process. Ultimately, the citizens and staff conceptualize and implement imPERFECT CITY together over the course of several months. To facilitate curatorial transparency, promote broad public participation, and to create an archive of events and ideas relating to imPERFECT CITY, imPERFECT CITY discourse in the Town Hall meetings is reflected online via social media outlets such as Facebook and in blog form, where the minutes from each Town Hall meeting are available to read and download. The blog itself constitutes a free, online “university” for concepts raised in imPERFECT CITY, providing online discussion forums, access to related material, including utopian and museological readings, and web links to other related exhibitions.

A videographer-in-residence will document the daily conversations taking place within the galleries and develop a virtual audience for the show through social media channels. Artists with backgrounds in a variety of areas, including philosophy, curating, architecture, design, sculpture, and new media, will work in tandem with the DCCA’s preparator and installation crew to help implement proposals. Guest critics and lecturers will be invited to create programming for and provide commentary on imPERFECT CITY, which, as an exhibition, functions as an experiment in curating diverse cultural practices. The DCCA will host a plethora of weekly events including music, performance, and symposia featuring artists, curators, activists, city officials, and others.


II. Proposals:

As an organizational strategy, the imPERFECT Citizens propose specific individual and/or collaborative projects. The guide to proposals, developed out of Town Hall meetings, consists of suggested prompts for the proposer to address. All proposals are utopian ideas and are immediately accepted for inclusion. The implementation of each project depends upon its logistical viability, based upon DCCA staff time, available resources, and the ability of the Citizen proposing the project to support its functioning within the galleries. The questions posed in the guide to proposals include:   

Title of proposed project:
Name of primary facilitator/proposer(s):
Number of people involved in producing the project, their names & their individual roles:
Availability of primary facilitator between 2/9/2013 – 6/16/2013:
Preferred days/dates/time/duration of proposed project:
Is this a: Workshop___Activity___Performance___Experience___Other___
Will it involve a physical component in the gallery? Will wall space be necessary?
If physical component is involved, please describe in as much detail as possible:
Proposed location (in DCCA Gallery or elsewhere):
Proposed spatial requirements:
List of necessary materials and supplies (include associated costs):
Description or narrative of proposed project (1-2 paragraphs):
Please answer the following questions regarding the conceptualization of your imPERFECT CITY project (include as much detail as possible):
How is your proposal intended to be interactive? Who is the audience?
How is your proposal geared toward or related to the particular space/locale where the activity is to be held (e.g. Bieber Ham and DuPont II galleries at the
DCCA and/or offsite locations in the city of Wilmington)?
How does your proposal acknowledge particular art historical or cultural precedents?
How does your proposal critically and creatively initiate a dialogue with the premise of utopia as a collaborative process and intentional community?
How does your proposal favor a collective or social approach to artistic expression (i.e., does it involve multiple “artists” or “assistants” who help realize the work)?
Does your proposal include a realistic assessment of your ability to complete the activities you are proposing? Please consider: staff, time, gallery space, materials, and visitor attendance.


III. Implementing Utopia: Group 1

Selected Projects:
The following are proposals for imPERFECT CITY, which the DCCA curatorial staff is implementing throughout the winter and spring of 2013.

UTOPIA ABOVE THE LAW

Utopian scholars Annette Giesecke and Donald Dunham appropriate a museum wall for signage reading UTOPIA ABOVE THE LAW to define the utopian space’s boundary. Visitors may test the bounds of utopia by writing and drawing on the wall.

Civic Seats: by Delaware artist Stephen Ruszkowski

Loosely based upon Shaker principles of utopian design, Civic Seats, allow visitors to engage in spontaneous conversation and exchange for the duration of imPERFECT CITY.

DCCA Athletic Club: Philadelphia artist Lauren Ruth

Featuring a makeshift gym, the Club invites visitors to get fit in the galleries.

Radical Reading Room (RRR)

Featuring a micro-library of formerly-banned books, contemporary philosophy, and texts that inform the imPERFECT CITY exhibition, RRR is assembled by the DCCA Curatorial department. RRR is equipped with ambient lighting, comfortable seating and an experimental coffee table designed by Chris Golas. RRR is strategically located next to the Athletic Club and is designed for mental exercise.

Micro-Farm and Cyber Café: Philadelphia artist Chris Golas
Four custom-designed vegetable planters on wheels, this movable farm will take root inside the DCCA’s Cyber Café and help sustain the Citizens of imPERFECT CITY.


IV. imPERFECT Town Halls & Symposium

Town Hall & Symposium Presenters include:

Marshall Brown
Jules Bruck
Donald Dunham
Annette Giesecke
Maiza Hixson
Eric Leshinsky
Tony Middlebrooks
Margaret Morton
John Muse & Jeanne Finley
Ashley John Pigford
Lauren Ruth


V. Implementing Utopia: Group 2 of selected utopian projects generated for imPERFECT CITY in the city of Wilmington.

Eric Leshinsky’s People’s Park, Chris Golas’s Micro Farm, Lauren Ruth’s Athletic Club and other select projects will be long-term projects that imPERFECT Citizens will help bring to fruition in the city of Wilmington. Due to the still early stages of imPERFECT CITY, the future of how the imPERFECT projects will be implemented remains to be decided. However, the Citizens have articulated that this is the one of the main goals of imPERFECT CITY as a utopian design process that starts with a conversation surrounding the aspirations people have for not only utopia, but for the city of Wilmington, DE.

Learn More

To learn more about this proposal please email Maiza Hixson at .(JavaScript must be enabled to view this email address). To learn more about the Curatorial Intensive email .(JavaScript must be enabled to view this email address).

About Curator

Maiza Hixson

Maiza Hixson is the Gretchen Hupfel Curator of Contemporary Art at the Delaware Center for the Contemporary Arts (DCCA). She is also founder of the SHAFT Space with Lauren Ruth. Hixson has extensive museum and curatorial experience, having worked for the Fabric Workshop and Museum in Philadelphia as well as serving as associate curator of the Contemporary Arts Center in Cincinnati and curatorial fellow in the Contemporary Art Department at the J.B. Speed Art Museum in Louisville, KY. Her curatorial work was recently featured in the People’s Biennial. She has curated such exhibitions as: Young Country: Rural Themes in Contemporary Art, and Masters of the Visual Universe: An M.F.A. Biennial. She organized solo exhibitions on artists Marilyn Minter and C. Spencer Yeh and curated American Idyll: Contemporary Art, Karaoke; Oh Boy! Men and Masculinity;and Curatorial Investigations of the Mutant Sublime. Hixson organized a solo show on two Philadelphia-based artists, The Dufala Brothers, as well as a thematic group exhibition on interactive, new media devices in contemporary art titled Contraption. Hixson’s 2013-2014 exhibition program, Radical Participation: A Series of Four Interactive Exhibitions was recently funded by the Warhol Foundation and will be implemented at the Delaware Center for the Contemporary Arts.

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