All Proposals

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  Sean Edwards / Marcellvs L. / Guillermo Mora By Tiago de Abreu Pinto

  Tiago de Abreu Pinto shares the concepts behind his proposal that turned into an exhibition at Noestudio, Madrid.

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  cloud city By Rosana Sancin

  Rosana Sancin describes her proposed exhibition, which is inspired by Tomás Saraceno’s Cloud City (2012). The exhibition explores the relationship between contemporary art and utopia.

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  imPERFECT CITY By Maiza Hixson

  Initiated by Delaware Center for the Contemporary Arts (DCCA) Curator Maiza Hixson, imPERFECT CITY is a discursive, durational process for generating community within the museum that ultimately directs its gaze to long-term, local civic engagement.

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  City Limits: John James Anderson By Meaghan Kent

  Meaghan Kent realized her exhibition for Locust Projects, Miami in fall 2012. The exhibition, which focused on the influence of the urban environment on contemporary practices, consisted of three projects by the artist John James Anderson.

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  Monocrome By Michal Novotny

  The exhibition Monocrome defines monochrome as a representation of something missing. The aim of this show is not to create, state, or underline any movement, style, or tendency in a traditional art historical way.

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  On Movement and Myth By Agar Ledo

  The exhibition presents the work of approximately ten artists, who focus on the alteration of the present through the revival of the past.

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  Untitled Library Project By Natika Soward

  Adopting the premise of a library as warehouse for a communal memory as an entry point, the Untitled Library Project is a curatorial research project meant to examine the nature of libraries, collections, and archives by amassing a compendium of selected artifacts.

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  Moving into the 1990s in Romania By Anca Mihuleţ

  This project explores the visual history of Romania in the 1990s, focusing on four categories of interest: the invisible artist, the impact of television on the visual culture of the ‘90s, the artist’s studio acting as an institution, and the reproduction an exhibition.

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  Cancel Part Out: To Cut Parlance By Sam Korman

  Cancel Part Out is an iterative exhibition that provides a format for understanding artworks within an exhibition context through the lens of the anagram.

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  The SpareTime Project By Freya Chou

  The SpareTime Project is an on-line project exploring how the notion of “ Time” interferes with the production of art creation and an opportunity to discuss the ambiguous definition of one’s occupational identity and labor exchange.

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  Obsess Much By Ryan Frank

  Obsess Much brings together a group of emerging and mid-career artists whose work re-examines collage and assemblage as contemporary artistic mediums.

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  Visionary Worlds By Ieva Astahovska

  Visionary Worlds is an exhibition about visionary and utopian realities existing in imagination rather than in the real world, yet essentially illuminating limits of the real world. The exhibition focuses on how the concept of visionarism and imagination about future realities has changed from the past forty years until today.

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  surcontexto By Veronica Cordeiro

  surcontexto is a contemporary art platform based in Montevideo, Uruguay, dedicated to generating projects that prioritize the production of knowledge and experience of curatorial and artistic practices today with its focus on South and Latin American art and culture.

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  Nearly Real Things By Cortney Stell

  Nearly Real Things explores, literally or metaphorically, the act of transformation within contemporary consciousness, identity, society, and class by carefully investigating our relationships to current biological or technological metamorphoses.

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  Lives of Artists By Eriola Pira

  Lives of Artists is a curatorial research project that aims to initiate a critical discourse and presentation of the fictional artist as an artistic practice and production.

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  Catalyst: Artists of Southern Louisiana Respond to the Gulf Oil Crisis By Robin Atkinson

  CATALYST is an exhibition exploring the ways in which artists from Southern Louisiana have critiqued and confronted the Gulf Coast Oil Crisis and its connected issues.

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  Uncommonplaces: Reinventing the Everyday By Pieter Vermeulen

  Uncommonplaces (New York / Antwerp) will be presented as a dialogue between a group show within an exhibition venue and small, subtle interventions in public space, investigating art’s potential to subvert, suspend, or transform the banal or trivial dimension of everyday life.

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  Cabin Fever By JJ Kegan McFadden

  Cabin Fever is a group exhibition featuring a mixture of emerging and established artists whose work examines boredom, malaise, as well as social and mental isolation.

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  Dead Center of Gravity By Jordan Stein

  Dead Center of Gravity examines the way certain tendencies in minimal, abstract, and experiential art practices that privilege human presence have been translated and understood via photography.

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  The New World Disorder By Qinyi Lim

  Taking its name from the work by Benedict Anderson, The New World Disorder aims to explore these gaps and silences through the practice of young contemporary artists from Singapore, Malaysia and Indonesia.

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  Art Now Now By Anja de Klerk

  The art now now project is an extensive research based undertaking aimed at excavating, mapping and activating South African curatorial practices and histories in order to support and encourage experimental artistic activity and research within this field.

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  Coming After By Jon Davies

  Coming After brings together a number of artists born in 1970 or later who share a certain contemporary queer sensibility.

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  Can’t NOT: self-defeating gestures in contemporary art By Marie Heilich

  Can’t NOT is a group exhibition of five international contemporary artists who challenge established limitations through active pursuits made in vain or a passive surrender to powers at be.

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  Pivoting: pictures, dissemination, nation By Lucy Gallun

  This is a project about contemporary serial photography.  What do contemporary serial photographic projects communicate about ideas of nation and nationality?

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  Harlem Artlab: Sound By Mariluz Hoyos

  What is a public space, who uses it, who claims it and how? What is the role of sound in defining public spaces in Harlem?

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  Imaginary Homelands By Bakirathi Mani

  Imaginary Homelands is an exhibition of contemporary art by artists of Pakistani, Indian, and Bangladeshi descent based in the United States.

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  Monumental By Elite Kedan

  Monumental explores the role architecture plays in our contemporary public consciousness through a series of experimental and participatory exhibitions.

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  Public Works Administration By Steven L. Bridges

  The Public Works Administration is an ongoing experimental enterprise that facilitates the development and implementation of artists’ projects in the public realm.

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  Welcome to the Neighbourhood By Michele Horrigan

  The sixth edition of Welcome to the Neighbourhood, an annual programme of invited international and Irish artists resident and working in the town, will occur in July 2011.

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  The Bulgarian Pavilion By Svetlana Kuyumdzhieva, Dessislava Dimova

  A series of artistic activities, in various locations and within different institutional structures, which aims at a critical reconsideration of the existing institutional system of presenting art nationally and internationally in Bulgaria.

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  4 x 4 By Katy Reis

  Artists have been organizing exhibitions throughout history; however, in the past two decades, a growing trend has involved the artist acting as curator for a museum exhibition—a more or less direct critique of institutional roles.

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  OPEN CEREMONY / American Idolatry By Legacy Russell

  OPEN CEREMONY / American Idolatry will explore the processes, imagery, and ideologies surrounding the establishment of ceremony, ritual, and idolatry within a contemporary framework.

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  The Art Agency By Maayan Sheleff

  The Art Agency is an online consulting agency which will provide consultation for communities and individuals in conflict or crises.

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  Country Woman Association – Tasmanian Branch no 26 By Paula Silva

  The 26th Tasmanian Country Woman Association (CWA) branch will be launched in Tasmania in 2011. The curator (Tasmania based) and five commissioned artists (Tasmania based and international) will appropriate the existing CWA organizational structure as a site for a series of art interventions.

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  Delaware Art Museum Centennial Anniversary Commissioned Artist Project By Margaret Winslow

  In 2012, the Delaware Art Museum will celebrate 100 years of supporting the visual arts in its community through its collection, exhibitions, and programs. This centennial anniversary year offers an opportunity to reconnect with the City of Wilmington and its residents to invite them to join in the celebration of the 100-year history of their local art museum.

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  The Organism By Maja Ćirić

  The Organism is a series of three collective shows that will emerge over the next couple of years: no1. Yet Another Effort to Understand if it Really Emerged from Nowhere!?; no 2. Rerouted Viruses; and no 3. Rejuvenated Mt. Verità.

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  Becoming the Media By David Ayala Alfonso

  Becoming the Media explores the intersection between arts and politics in Colombia, specifically through the use of mass media in the second half of 20th century.

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  Light Installation By Oyinda Fakeye

  The Center for Contemporary Art, Lagos (CCA Lagos) would like to commission a solar light-based sculpture to be displayed within the park area of Falomo roundabout, Ikoyi.

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  Nothing is Revealed By Frances Loeffler

  Bringing together a group of artists whose works play on the instability of knowledge and truth, Nothing is Revealed is characterised by a mode of uncertainty, secrecy, incongruence and chance, qualities that are in keeping with the haphazard disarray of everyday public life, yet unsettle the idea of art as a reliable vehicle of communication.

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  Operations Manual By Mack McFarland

  Operations Manual is a curatorial research project which explores, compiles, and presents the directive materials curators, preparators, registrars, and collectors receive from artists which detail the processes and methods for unpacking, arranging, installing, and caring for their works.

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  Against the Way Things Go By

  Against the Way Things Go examines art objects as existing outside the laws of Newtonian physics because they originate in the mythology of human creation.

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